Véronique Sanson (b. 1949)

Birthplace:
Boulogne-Billancourt, Hauts-de-Seine, France

Born:
April 24, 1949

Véronique Marie Line Sanson (born 24 April 1949 in Boulogne-Billancourt, near Paris) is a three-time Victoires de la Musique award-winning French singer-songwriter and record producer with an avid following in her native country.  Ten years after Barbara, Véronique Sanson became one of the first French female singer-songwriters to break into stardom with her debut album Amoureuse in 1972. She also became one of the most successful and most prominent members of the Seventies "Nouvelle chanson française" ("New French chanson"), alongside Alain Souchon, Bernard Lavilliers, Jacques Higelin, Michel Polnareff, Catherine Lara, Yves Duteil, Maxime Le Forestier, Renaud, William Sheller, Michel Jonasz, Michel Berger, Hubert-Félix Thiéfaine, Louis Chédid, or Francis Cabrel. Unlike most previous French artists of the Sixties Yé-yé era, who mostly released EPs consisting of a collection of singles, B-sides and covers, Sanson and her counterparts of the "nouvelle chanson française" established the dominance of singer-songwriters on the Seventies French charts thanks to albums with full-length artistic statements.  One of her songs, "Amoureuse", was covered in English in 1973 by singer Kiki Dee, and became a major hit in the United Kingdom, and has been covered since by various other singers, from Polly Brown (1973) to Olivia Newton-John (1974), Pete Townshend (1974), Linda Martin (1996) and Amanda Abbs with Illusive (1997). In 1974, Patti Dahlstrom recorded a second version with her own lyrics, entitled "Emotion" which was covered by Helen Reddy (1974) and Shirley Bassey (1975). Many other covers of "Amoureuse" have been recorded in French, German, Spanish, Dutch or Japanese.  Véronique Sanson plays piano and guitar.  Both her parents, René and Colette Sanson, were members of the Resistance during the German occupation of France. Before the war, René Sanson was a French diplomat in The Hague. When the Germans invaded the Netherlands, he sent a coded message to warn the French government that Germany was planning to attack France from across the Belgian border. This very message was decoded by Colette, a communication worker at the French Ministry of War. It was not until a few months later that they met in person, in a resistance cell. Both became prominent within the Resistance. In 1944, after the bombing of a German train, Colette was arrested and sentenced to death by the occupation force before she managed to escape. After the liberation of Paris, René Sanson was appointed Minister of Labour in Charles de Gaulle's provisional government. The couple married in 1945. As a lawyer and an economist, René Sanson remained involved in politics as Member of Parliament and Deputy of the 13th district of Paris until 1967. In 1970, he was in charge of the French delegation at the Osaka World Expo; Véronique first visited Japan on this occasion. ...  Source: Article "Véronique Sanson" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.