A work in constant progress (and occasional regress).
Alias:
Henri de Turennes
Birthplace:
Tours, Indre-et-Loire, France
Born:
November 19, 1921
Died:
August 23, 2016
Henri de Turenne (19 November 1921 – 23 August 2016) is a French journalist and screenwriter. He was born in Tours. The son of Armand de Turenne, a World War I flying ace, he was raised in Germany and French Algeria, both countries becoming central creative themes in his adult work. After the Second World War, de Turenne worked as a journalist for Agence France-Presse, Le Figaro, France Soir, and ORTF, reporting from Allied-occupied Germany, covering the Korean War and the Algerian War, and, in 1952, winning the Prix Albert Londres. Since the mid-1960s, he worked primarily in television, notably on the French Grandes Batailles series for Pathé, making over a hundred documentaries. He won an Emmy in 1982 for a documentary on the Vietnam War. His fictional works include Les Alsaciens ou les deux Mathilde (1996), made for Arte, for which he shared a 7 d'Or with Michel Deutsch. Source: Article "Henri de Turenne (writer)" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Director:
1969 De l'internationale à la marseillaise
1970 36, le grand tournant
Screenplay:
1969 De l'internationale à la marseillaise
1970 36, le grand tournant
1984 Fort Saganne
Writer:
1969 De l'internationale à la marseillaise
1970 36, le grand tournant
1977 Le Loup blanc
1984 Fort Saganne
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.