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Mark Lee (b. 1968)

Alias:
Lee Kok Huang
Mark Lee Kok Huang
李国煌

Birthplace:
Singapore

Born:
October 16, 1968

Biography from TheMovieDB

Lee is famous for, amongst others, playing the title role in Singapore's Mediacorp Channel 5 television sitcom Police & Thief as Lee Tok Kong, Phua Chu Kang Pte Ltd as guest appearance Lee Kok Peng from season 5 until season 7 and in Mediacorp Channel 8 long series television drama Holland V as Su Hao. He also gained recognition for his work with Jack Neo and Henry Thia in films such as Money No Enough and Liang Po Po: The Movie and long-running comedy variety programme Comedy Nite (搞笑行动). He made his directorial debut in the comedy horror film The Ghosts Must Be Crazy.  Along with long-time colleague Christopher Lee, Mark Lee was awarded the coveted All Time Favourite Artiste award in the Star Awards 2010 and became the first host-cum-comedian to win the award as the previous winners were predominantly thespians. As such he will no longer be in the run for the Top 10 Most Popular Male Artistes awards in future Star Awards.  Although Lee was mostly known for playing comedic roles early in his career, he has also diversified into hosting and hosted various kinds of programmes, mainly infotainment, travelogue and DIY programmes. He co-hosted the popular home makeover programme Home Decor Survivor and the infotainment programme Behind Every Job with Bryan Wong, which won both a string of nominations in the hosting categories at the Star Awards. In 2012 he won his fourth Best Variety Host award for his popular show It's a Small World (season 2).  Lee was always given an on-screen name/surname of Ong or Huang, particularly in Jack Neo's movies, with the exception of Liang Po Po: The Movie, That One Not Enough and Ah Long Pte Ltd.  On 9 March 2017, Lee opened a production house King Kong Media Production with partner Yinson Marine Services, a Malaysian oil and gas company. He is now working on a film project for 2018.

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Additional information:

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Film Performances

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Film Production

Director:
2011  The Ghosts Must Be Crazy
2019  Make It Big Big

Executive Producer:
2011  The Ghosts Must Be Crazy
2019  Make It Big Big
2023  What! The Heist

Producer:
2011  The Ghosts Must Be Crazy
2012  Greedy Ghost
2019  Make It Big Big
2023  What! The Heist

Story:
2011  The Ghosts Must Be Crazy
2012  Greedy Ghost
2019  Make It Big Big
2023  What! The Heist

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.