A work in constant progress (and occasional regress).
Alias:
Σταύρος Τσιώλης
Birthplace:
Tripoli, Greece
Born:
October 6, 1937
Died:
July 23, 2019
Stavros Tsiolis (Tripoli 6 October 1937 - Athens 23 July 2019) was a director and screenwriter of the new Greek cinema. Stavros Tsiolis studied cinema at the L. Stavrakou Television Film School in Athens and from 1958 he worked as an assistant director on 54 films, many of them by Finos Film. His first own film, which was based on his own screenplay, was The Little Fugitive for Finos Film in 1968. In 1970 he had an international success with the film Abuse of Power. He then left cinema for fifteen years and returned in 1985 with films that were particularly successful. His film A So Long Absence won six first prizes at the Thessaloniki festival in 1985, while Invincible Lovers in 1988 was played at the Museum of Modern Art in New York.
Assistant Director:
1963 World Gone Mad
1964 The Heirs
1965 Teddy Boy My Love
1966 My wife went mad
1967 The Blue Beads from Greece
1969 Two Feet in One Shoe
Assistant Production Coordinator:
1963 World Gone Mad
1964 The Heirs
1965 Teddy Boy My Love
1966 My wife went mad
1967 The Blue Beads from Greece
1969 Two Feet in One Shoe
1974 Kierion
Director:
1963 World Gone Mad
1964 The Heirs
1965 Teddy Boy My Love
1966 My wife went mad
1967 The Blue Beads from Greece
1968 O mikros drapetis
1969 Panic
1969 Two Feet in One Shoe
1970 The Jungle of Cities
1971 Abuse of authority
1974 Kierion
1985 Such a Long Absence
1986 About Vassilis
1988 Invincible Lovers
1990 Love Under the Date-Tree
1992 Please, Ladies, Don't Cry
1996 The Lost Treasure of Hursit Pasha
1998 Let the Women Wait!
2004 Here We Are!
2018 Women Who Passed My Way
Producer:
1963 World Gone Mad
1964 The Heirs
1965 Teddy Boy My Love
1966 My wife went mad
1967 The Blue Beads from Greece
1968 O mikros drapetis
1969 Panic
1969 Two Feet in One Shoe
1970 The Jungle of Cities
1971 Abuse of authority
1974 Kierion
1985 Such a Long Absence
1986 About Vassilis
1988 Invincible Lovers
1990 Love Under the Date-Tree
1992 Please, Ladies, Don't Cry
1996 The Lost Treasure of Hursit Pasha
1998 Let the Women Wait!
2004 Here We Are!
2018 Women Who Passed My Way
Screenplay:
1963 World Gone Mad
1964 The Heirs
1965 Teddy Boy My Love
1966 My wife went mad
1967 The Blue Beads from Greece
1968 O mikros drapetis
1969 Panic
1969 Two Feet in One Shoe
1970 Love forever
1970 The Jungle of Cities
1971 Abuse of authority
1974 Kierion
1985 Such a Long Absence
1986 About Vassilis
1988 Invincible Lovers
1990 Love Under the Date-Tree
1992 Please, Ladies, Don't Cry
1996 The Lost Treasure of Hursit Pasha
1998 Let the Women Wait!
2004 Here We Are!
2018 Women Who Passed My Way
Writer:
1963 World Gone Mad
1964 The Heirs
1965 Teddy Boy My Love
1966 My wife went mad
1967 The Blue Beads from Greece
1968 O mikros drapetis
1969 Panic
1969 Two Feet in One Shoe
1970 Love forever
1970 The Jungle of Cities
1971 Abuse of authority
1973 Θέμα συνειδήσεως
1974 Kierion
1985 Such a Long Absence
1986 About Vassilis
1988 Invincible Lovers
1990 Love Under the Date-Tree
1992 Please, Ladies, Don't Cry
1996 The Lost Treasure of Hursit Pasha
1998 Let the Women Wait!
2000 To kanarini podilato
2004 Here We Are!
2010 Canteen
2018 Women Who Passed My Way
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.