A work in constant progress (and occasional regress).
Michelle Manning is an American film director, television director, and producer best known for producing Sixteen Candles and The Breakfast Club. She served as the President of Production for Paramount Pictures from 1997-2005. Since 2017, she has been an executive producer on the groundbreaking Disney Channel series Andi Mack. She began her career with Zoetrope Studios, where she was production supervisor of Francis Ford Coppola's The Outsiders and Rumble Fish. Manning worked as an executive for Ned Tanen's Channel Productions, where she produced The Breakfast Club and was associate producer of Sixteen Candles. Manning made her feature directorial debut in 1986 with Blue City for producers Walter Hill and William Hayward as well as musical sequences for Hill's Another 48 Hrs. In television, Manning directed episodes of Miami Vice and Paramount's Friday the 13th: The Series.
Assistant Camera:
1999 Payback
Associate Producer:
1984 Sixteen Candles
1999 Payback
Co-Executive Producer:
1984 Sixteen Candles
1999 Payback
2013 Last I Heard
Co-Producer:
1984 Sixteen Candles
1985 The Breakfast Club
1999 Payback
2013 Last I Heard
Director:
1984 Sixteen Candles
1985 The Breakfast Club
1986 Blue City
1999 Payback
2013 Last I Heard
Executive Producer:
1984 Sixteen Candles
1985 The Breakfast Club
1986 Blue City
1999 Payback
2013 Last I Heard
2016 Adventures in Babysitting
2019 The Dirt
2020 Come Away
Producer:
1984 Sixteen Candles
1985 The Breakfast Club
1986 Blue City
1999 Payback
2008 The Eye
2013 Last I Heard
2015 Jenny's Wedding
2016 Adventures in Babysitting
2019 The Dirt
2020 Come Away
Director:
1984 Miami Vice
Executive Producer:
1984 Miami Vice
2017 Andi Mack
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.