Hisataka Kai

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Alias:
Hisatoshi Kai
Hisatoshi Kaî
甲斐久尊

Additional information:

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Screenplay:
1959  Eyes of Mother and Daughter
1959  Speed Crazy
1960  The Stragglers
1960  World War III Breaks Out
1961  Feisty Edo Girl Nakanori-san
1961  Like Fire is My Life
1962  Bōkyō no umi
1962  Namari o buchikome
1962  Pleasant Company
1963  The Dragon Crest
1963  The Fight of the Gamblers
1963  The Symbol of a Man
1964  A Man's Crest: Fight Challenge
1964  The Flower and the Sword
1964  Tiger of the Sea
1965  Thanks for the tears
1965  The Rule for a Vagabond
1966  Fearless Comrades
1966  Red Glass
1966  Story of Japanese Chivalry: Flower of a Chivalrous Man
1966  The Dragon and the Tiger
1966  新遊侠伝
1967  Birth of a Fighter
1967  Immortal Guy
1967  Return to Kanto Prison
1967  The Kanto Region Is Also Expanding
1967  The Reckless One
1969  100 Gamblers

Writer:
1959  Eyes of Mother and Daughter
1959  Speed Crazy
1960  The Stragglers
1960  World War III Breaks Out
1961  Feisty Edo Girl Nakanori-san
1961  Like Fire is My Life
1962  Bōkyō no umi
1962  Namari o buchikome
1962  Pleasant Company
1963  The Dragon Crest
1963  The Fight of the Gamblers
1963  The Symbol of a Man
1964  A Man's Crest: Fight Challenge
1964  Black Strait
1964  Cruel Gun Story
1964  The Flower and the Sword
1964  The Scarred Crest
1964  Tiger of the Sea
1965  Ryuji's Journey: The Crest of Man
1965  Thanks for the tears
1965  The Man's Crest: I Shall Kill
1965  The Rule for a Vagabond
1966  Fearless Comrades
1966  Red Glass
1966  Story of Japanese Chivalry: Flower of a Chivalrous Man
1966  The Dragon and the Tiger
1966  新遊侠伝
1967  Birth of a Fighter
1967  Immortal Guy
1967  Return to Kanto Prison
1967  The Kanto Region Is Also Expanding
1967  The Reckless One
1969  100 Gamblers

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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