Shep Gordon (b. 1945)

Birthplace:
Jackson Heights, New York

Born:
October 18, 1945

Shep E. Gordon is an American talent manager, Hollywood film agent, and producer. Gordon is featured in a 2013 documentary, Supermensch: The Legend of Shep Gordon, which was directed by Mike Myers.  He obtained his B.A. in 1968 from the State University of New York at Buffalo (UB) in sociology. He then moved to Los Angeles, California.  He first gained connections in Hollywood by meeting Jimi Hendrix, Janis Joplin, and Alice Cooper in 1968. He quickly became Cooper's agent. Much of Coopers stage act and the band's overall macabre persona was influenced directly by Gordon, who created many imaginative and wild events to get Cooper PR in the papers, including throwing a live chicken on stage. Gordon subsequently later represented many other celebrities such as Anne Murray, Blondie, Teddy Pendergrass, and Luther Vandross.  Gordon has worked on numerous film productions, typically as a producer. These include The Duellists and Kiss of the Spider Woman. He then created one of the first independent film production companies in the U.S., Alive Films.  His work was instrumental in bringing the modern wave of celebrity chefs into existence. He represented many of the top chefs of the world at a time when they were not known in popular culture, and, when the Food Network was first created, he brought many of them to the same, including Emeril Lagasse, helping to make them all the household names they are now. He owns multiple restaurants.  *Source:* **Wikipedia**

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.