A work in constant progress (and occasional regress).
Birthplace:
São Paulo, São Paulo, Brazil
André Klotzel (São Paulo, 1954) is a Brazilian film director, screenwriter, producer and editor. He studied cinema at the University of São Paulo and worked on more than a dozen feature films and many short films before directing his first film, A Marvada Carne.
Assistant Director of Photography:
1977 Tchau, Brás
Cinematography:
1977 Tchau, Brás
1980 Todomundo
Director:
1977 Tchau, Brás
1980 Todomundo
1987 That Damned Meat
1994 Savage Capitalism
1996 Brevíssima História das Gentes de Santos
2001 Posthumous Memories
2010 Reflections of a Blender
2012 De Olaria a Helsinque - A História de Um Salto
Director of Photography:
1976 Hoje tem Futebol
1977 Tchau, Brás
1980 Todomundo
1987 That Damned Meat
1994 Savage Capitalism
1996 Brevíssima História das Gentes de Santos
2001 Posthumous Memories
2010 Reflections of a Blender
2012 De Olaria a Helsinque - A História de Um Salto
Editor:
1976 Hoje tem Futebol
1977 Tchau, Brás
1980 Todomundo
1987 That Damned Meat
1994 Savage Capitalism
1996 Brevíssima História das Gentes de Santos
2001 Posthumous Memories
2010 Reflections of a Blender
2012 De Olaria a Helsinque - A História de Um Salto
Executive Producer:
1976 Hoje tem Futebol
1977 Tchau, Brás
1980 Todomundo
1987 Angels of the Night
1987 That Damned Meat
1994 Savage Capitalism
1996 Brevíssima História das Gentes de Santos
2001 Posthumous Memories
2010 Reflections of a Blender
2012 De Olaria a Helsinque - A História de Um Salto
Producer:
1976 Hoje tem Futebol
1977 Tchau, Brás
1979 Twisted Fate
1980 Todomundo
1987 Angels of the Night
1987 That Damned Meat
1994 Savage Capitalism
1996 Brevíssima História das Gentes de Santos
2001 Posthumous Memories
2010 Reflections of a Blender
2012 De Olaria a Helsinque - A História de Um Salto
Production Assistant:
1975 Cada um Dá o Que Tem
1976 Hoje tem Futebol
1977 Tchau, Brás
1979 Twisted Fate
1980 Todomundo
1987 Angels of the Night
1987 That Damned Meat
1994 Savage Capitalism
1996 Brevíssima História das Gentes de Santos
2001 Posthumous Memories
2010 Reflections of a Blender
2012 De Olaria a Helsinque - A História de Um Salto
Production Director:
1975 Cada um Dá o Que Tem
1976 Hoje tem Futebol
1977 Tchau, Brás
1978 Alice
1979 Twisted Fate
1980 Todomundo
1987 Angels of the Night
1987 That Damned Meat
1994 Savage Capitalism
1996 Brevíssima História das Gentes de Santos
2001 Posthumous Memories
2010 Reflections of a Blender
2012 De Olaria a Helsinque - A História de Um Salto
Screenplay:
1975 Cada um Dá o Que Tem
1976 Hoje tem Futebol
1977 Tchau, Brás
1978 Alice
1979 Twisted Fate
1980 Todomundo
1987 Angels of the Night
1987 That Damned Meat
1994 Savage Capitalism
1996 Brevíssima História das Gentes de Santos
2001 Posthumous Memories
2010 Reflections of a Blender
2012 De Olaria a Helsinque - A História de Um Salto
Sound:
1975 Cada um Dá o Que Tem
1976 Hoje tem Futebol
1977 Tchau, Brás
1978 Alice
1979 Twisted Fate
1980 Todomundo
1987 Angels of the Night
1987 That Damned Meat
1994 Savage Capitalism
1996 Brevíssima História das Gentes de Santos
2001 Posthumous Memories
2010 Reflections of a Blender
2012 De Olaria a Helsinque - A História de Um Salto
Writer:
1975 Cada um Dá o Que Tem
1975 Tem Coca-Cola no Vatapá
1976 Hoje tem Futebol
1977 Tchau, Brás
1978 Alice
1979 Twisted Fate
1980 Todomundo
1983 Janete
1987 Angels of the Night
1987 That Damned Meat
1994 Savage Capitalism
1996 Brevíssima História das Gentes de Santos
2001 Posthumous Memories
2010 Reflections of a Blender
2012 De Olaria a Helsinque - A História de Um Salto
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.