A work in constant progress (and occasional regress).
Assistant Director:
1966 Sin tregua
Assistant Production Manager:
1966 Sin tregua
1986 Miss Mary
Director:
1965 El hambre oculta
1966 Sin tregua
1986 Miss Mary
2021 Solanas en filmación
2022 Edgardo "Cacho" Pallero
Post Production Coordinator:
1965 El hambre oculta
1966 Sin tregua
1986 Miss Mary
2011 El Fausto Criollo
2021 Solanas en filmación
2022 Edgardo "Cacho" Pallero
Producer's Assistant:
1965 El hambre oculta
1966 Sin tregua
1984 Camila
1986 Miss Mary
2011 El Fausto Criollo
2021 Solanas en filmación
2022 Edgardo "Cacho" Pallero
Production Director:
1965 El hambre oculta
1966 Sin tregua
1984 Camila
1986 Miss Mary
1993 A Wall of Silence
2011 El Fausto Criollo
2011 The Crossing of the Andes
2021 Solanas en filmación
2022 Edgardo "Cacho" Pallero
Production Manager:
1965 El hambre oculta
1966 Sin tregua
1984 Camila
1986 Miss Mary
1988 The South
1991 Summer of the Colt
1993 A Wall of Silence
2011 El Fausto Criollo
2011 The Crossing of the Andes
2021 Solanas en filmación
2022 Edgardo "Cacho" Pallero
Still Photographer:
1965 El hambre oculta
1965 Nossa Escola de Samba
1966 Sin tregua
1984 Camila
1986 Miss Mary
1988 The South
1991 Summer of the Colt
1993 A Wall of Silence
2011 El Fausto Criollo
2011 The Crossing of the Andes
2021 Solanas en filmación
2022 Edgardo "Cacho" Pallero
Thanks:
1965 El hambre oculta
1965 Nossa Escola de Samba
1966 Sin tregua
1984 Camila
1986 Miss Mary
1988 The South
1991 Summer of the Colt
1993 A Wall of Silence
1993 Historias Breves 0: Vértigos, o contemplación de algo que cae
1996 Historias Breves II: Vete de mí
2011 El Fausto Criollo
2011 The Crossing of the Andes
2021 Solanas en filmación
2022 Edgardo "Cacho" Pallero
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.