A work in constant progress (and occasional regress).
Alias:
Maite Proença
Maitê Proença Gallo
Майте Проэнса
Birthplace:
São Paulo, São Paulo, Brazil
Born:
January 28, 1958
Maitê Proença Gallo (São Paulo, January 28, 1958) is a Brazilian actress, presenter and writer. Proença has worked on Brazilian telenovelas, films and plays. Her role in the telenovela Dona Beija was her first major TV success in Brazil, Portugal and some 50 other countries where it was shown. Proença has written two books. Her first book, Entre ossos e a escrita, published in 2005, contained the best of her essays. The second book, Uma Vida Inventada, sold 100,000 copies in Brazil and was exported to Portugal. She has also written two plays one of which, As Meninas, won her several prizes. She has a column in the Brazilian magazine Época. Proença has been a TV host for Video Show (1983), Programa de Domingo (1987) and Saia Justa (2006/2007). In 2006, Proença wrote her first theater play, Achadas e Perdidas. In 2002, she made her debut as a theater producer with the play Buda. In 2009, due to controversial remarks on the Brazilian TV show Saia Justa, Proença prompted public outrage in Portugal and was accused of being Lusophobic, though she has since affirmed numerous times her love for Portugal. She has since denied the accusation and recorded several apologies, as well as issuing one on her official blog. Proença emphasized that despite the misunderstanding, she is of recent Portuguese ancestry and likes Portugal and the Portuguese. For about a week, the affair was discussed or reported on several Portuguese television networks and major newspapers.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.