A work in constant progress (and occasional regress).
Alias:
Silvia D'Amico
Silvia D'Amico Bendico
Silvia D'Amico-Bendicò
Birthplace:
Rome, Italy
Silvia D'Amico Bendicò is an Italian film producer and screenwriter.
Executive Producer:
1974 Year One
Producer:
1971 The Automobile
1972 1870
1974 Year One
1975 The Messiah
1983 State buoni se potete
1985 Big Deal on Madonna Street 20 Years Later
1985 The 2 Lives of Mattia Pascal
1991 The Knot in the Necktie
2015 Sergio Corbucci: The Smiling Man
2022 The Best Years
Screenplay:
1971 The Automobile
1972 1870
1974 Year One
1975 The Messiah
1983 State buoni se potete
1985 Big Deal on Madonna Street 20 Years Later
1985 The 2 Lives of Mattia Pascal
1991 The Knot in the Necktie
2015 Sergio Corbucci: The Smiling Man
2022 The Best Years
Script Supervisor:
1966 Pardon, Are You for or Against?
1971 The Automobile
1972 1870
1974 Year One
1975 The Messiah
1983 State buoni se potete
1985 Big Deal on Madonna Street 20 Years Later
1985 The 2 Lives of Mattia Pascal
1991 The Knot in the Necktie
2015 Sergio Corbucci: The Smiling Man
2022 The Best Years
Story:
1966 Pardon, Are You for or Against?
1971 The Automobile
1972 1870
1974 Year One
1975 The Messiah
1983 A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit
1983 State buoni se potete
1985 Big Deal on Madonna Street 20 Years Later
1985 The 2 Lives of Mattia Pascal
1991 The Knot in the Necktie
2015 Sergio Corbucci: The Smiling Man
2022 The Best Years
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.