Emanuele Di Cola

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Camera Operator:
1963  Ecco
1967  The Man Who Killed Billy the Kid
1971  Vivi ragazza vivi!

Cinematography:
1963  Ecco
1967  The Man Who Killed Billy the Kid
1968  Chanukkà (Festa delle luci)
1968  Ringo: The Lone Rider
1970  Zorro's Latest Adventure
1971  Vivi ragazza vivi!
1971  Zorro, Rider of Vengeance

Director:
1963  Ecco
1967  The Man Who Killed Billy the Kid
1968  Chanukkà (Festa delle luci)
1968  Ringo: The Lone Rider
1970  Zorro's Latest Adventure
1971  Vivi ragazza vivi!
1971  Zorro, Rider of Vengeance
1973  Forbidden Dreams

Director of Photography:
1963  Ecco
1965  Rita the American Girl
1967  Avenger X
1967  The Man Who Killed Billy the Kid
1968  Chanukkà (Festa delle luci)
1968  Colpo sensazionale al servizio del Sifar
1968  Ringo: The Lone Rider
1969  Hell Commandos
1969  The Battle of the Last Panzer
1970  More Dollars for the MacGregors
1970  Scream of the Demon Lover
1970  When Heroes Die
1970  Zorro's Latest Adventure
1971  The Feast of Satan
1971  Vivi ragazza vivi!
1971  Zorro the Invincible
1971  Zorro, Rider of Vengeance
1972  Pirates of Blood Island
1973  Forbidden Dreams

Gaffer:
1962  La Commare Secca
1963  Ecco
1964  Bianco, rosso, giallo, rosa
1964  Robbery Roman Style
1965  Rita the American Girl
1967  Avenger X
1967  The Man Who Killed Billy the Kid
1968  Chanukkà (Festa delle luci)
1968  Colpo sensazionale al servizio del Sifar
1968  Ringo: The Lone Rider
1969  Hell Commandos
1969  The Battle of the Last Panzer
1970  More Dollars for the MacGregors
1970  Scream of the Demon Lover
1970  When Heroes Die
1970  Zorro's Latest Adventure
1971  The Feast of Satan
1971  Vivi ragazza vivi!
1971  Zorro the Invincible
1971  Zorro, Rider of Vengeance
1972  Pirates of Blood Island
1973  Forbidden Dreams

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.