A work in constant progress (and occasional regress).
Birthplace:
Budapest, Hungary
Born:
November 12, 1968
Camera Operator:
1999 Pirates
2006 Tripe and onions
Cinematography:
1999 Pirates
2000 Sorted Letters
2004 Hungarian Vagabond
2006 Tripe and onions
2013 Honey
2014 Free Fall
2018 His Master's Voice
Director:
1999 Candy Blue
1999 Pirates
2000 Sorted Letters
2004 Hungarian Vagabond
2006 Tripe and onions
2013 Honey
2014 Free Fall
2018 His Master's Voice
Director of Photography:
1999 Candy Blue
1999 Pirates
2000 Rosszfiúk
2000 Sorted Letters
2002 Forward!
2002 Hukkle
2004 Hungarian Vagabond
2006 Taxidermia
2006 Tripe and onions
2009 The Slow Game
2010 A Quiet Life
2013 Bastardo
2013 Honey
2013 Silent Ones
2014 Afterlife
2014 Free Fall
2015 Alaska
2016 All Roads Lead to Rome
2017 Out
2017 Two Hookers and a Bitch
2018 Euphoria
2018 His Master's Voice
2019 Sole
2021 Land of the Sons
2022 L'immensità
Screenplay:
1999 Candy Blue
1999 Pirates
2000 Rosszfiúk
2000 Sorted Letters
2002 Forward!
2002 Hukkle
2004 Hungarian Vagabond
2006 Taxidermia
2006 Tripe and onions
2009 The Slow Game
2010 A Quiet Life
2013 Bastardo
2013 Honey
2013 Silent Ones
2014 Afterlife
2014 Free Fall
2015 Alaska
2016 All Roads Lead to Rome
2017 Out
2017 Two Hookers and a Bitch
2018 Euphoria
2018 His Master's Voice
2019 Sole
2021 Land of the Sons
2022 L'immensità
Writer:
1999 Candy Blue
1999 Pirates
2000 Rosszfiúk
2000 Sorted Letters
2002 Forward!
2002 Hukkle
2004 Hungarian Vagabond
2005 Black Brush
2006 Taxidermia
2006 Tripe and onions
2009 The Slow Game
2010 A Quiet Life
2013 Bastardo
2013 Honey
2013 Silent Ones
2014 Afterlife
2014 Free Fall
2015 Alaska
2016 All Roads Lead to Rome
2017 Out
2017 Two Hookers and a Bitch
2018 Euphoria
2018 His Master's Voice
2019 Sole
2021 Land of the Sons
2022 L'immensità
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.