Paul Henderson (b. 1967)

Alias:
The Guise

Birthplace:
Augusta - Georgia - USA

Born:
September 10, 1967

Known for his tall, rotund stature, and prolific sense of humor, Paul Henderson is a multi-talented actor, writer, comic, and musician. He began making Super 8mm films at the age of 12, and later performed in Southeastern regional theater and music on the Gulf Coast before being discovered by director Alan Parker, and being cast in the Academy Award-winning Mississippi Burning (1988)  Henderson moved to Los Angeles in 1988, where he began performing stand-up comedy and quickly became a regular performer and doorman at the "World Famous" Comedy Store, on the Sunset Strip. There he met and became friends with comic legends including Sam Kinison, with whom he would go on to work as an opening act in Kinison's "Outlaws of Comedy." It was at the Comedy Store where Henderson began a career as a comedy writer, creating often uncredited material for many well-known comics, and as an occasional contributing joke writer to The Tonight Show with Jay Leno (1992).  In 1991, Henderson became associated with comic actor Andy Dick and has since written, performed, and collaborated with Dick on many projects, including The Andy Dick Show (2001), Division III: Football's Finest (2011), and countless podcasts and live musical comedy performances at clubs and colleges across America.  As a performer, Paul Henderson specializes in dialects, impressions, and twisted characterizations. He is also an accomplished singer and writer of songs in a wide variety of musical genres, usually choosing to showcase these talents under his pseudonym The Guise. As of (2022) Paul Henderson lives in Los Angeles and is writing and developing several upcoming film and television projects.

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.