A work in constant progress (and occasional regress).
Alias:
後藤大輔
Birthplace:
Kumamoto, Kumamoto Prefecture, Japan
Born:
May 24, 1957
Daisuke Gotō’s debut film as director was with the Nikkatsu Roman Porno film “Bed Partner (1988),” part of the last double-bill in that series. Bed Partner won Gotō the Best New Director award at the Zoom Up Film Festival. After the demise of Nikkatsu, Gotō worked mainly V-cinema, filming straight-to-video sequels to earlier film series. Prominent among his films of this period are “Sasori in the U.S.A.” and “Zero Woman” series, He made his Pink film debut in 2001 with “Mourning Wife.” Highly regarded as a director of Pink films, Gotō is known for his ease at directing in many genres. Jasper Sharp writes that Gotō’s “A Lonely Cow Weeps at Dawn” (2003) is the Pink film “at its most inventive, albeit frankly bewildering.”
Director:
1988 Bed Partner
1994 Gotoshi Co. Ltd. III
1995 Gotoshi Co. Ltd. Special Police Department Crime Prevention Division No. 5104 Case
1995 The Metropolitan Police Branch 82
1995 Zero Woman
1996 Doberman Deka
1996 Zero Woman: The Accused
1997 Sasori in U.S.A.
2001 Mourning Wife
2002 The Night of the Earthquake
2003 A Lonely Cow Weeps at Dawn
2005 Blind Love
2005 眺めのいい部屋 覗かれた女
2008 Girl In Captivity: Psycho Torture Chamber
2011 Chikan densha: Yure nureru sakuragai
2013 Namameki wafuku tsuma no chitai
2013 Seseragi no awai niji
2019 Female and Lewd: A Scratchy Itch in My Ass
Screenplay:
1985 Female Leopard
1988 Bed Partner
1994 Gotoshi Co. Ltd. III
1995 Gotoshi Co. Ltd. Special Police Department Crime Prevention Division No. 5104 Case
1995 The Metropolitan Police Branch 82
1995 Zero Woman
1996 Doberman Deka
1996 Zero Woman: The Accused
1997 Sasori in U.S.A.
1998 Scorpion: Double Venom
1998 Scorpion: Double Venom 2
2001 Mourning Wife
2002 The Night of the Earthquake
2003 A Lonely Cow Weeps at Dawn
2005 Blind Love
2005 眺めのいい部屋 覗かれた女
2008 Girl In Captivity: Psycho Torture Chamber
2011 Chikan densha: Yure nureru sakuragai
2013 Namameki wafuku tsuma no chitai
2013 Seseragi no awai niji
2019 Female and Lewd: A Scratchy Itch in My Ass
Writer:
1985 Female Leopard
1988 Bed Partner
1994 Gotoshi Co. Ltd. III
1995 Gotoshi Co. Ltd. Special Police Department Crime Prevention Division No. 5104 Case
1995 The Metropolitan Police Branch 82
1995 Zero Woman
1996 Doberman Deka
1996 Zero Woman: The Accused
1997 Sasori in U.S.A.
1998 Scorpion: Double Venom
1998 Scorpion: Double Venom 2
2001 Mourning Wife
2002 The Night of the Earthquake
2003 A Lonely Cow Weeps at Dawn
2005 Blind Love
2005 眺めのいい部屋 覗かれた女
2008 Girl In Captivity: Psycho Torture Chamber
2008 The Muse
2011 Chikan densha: Yure nureru sakuragai
2013 Namameki wafuku tsuma no chitai
2013 Seseragi no awai niji
2015 Zetchô kazoku: Aijin-darake
2016 Nagisa's Big Breast Milk Fight
2019 Female and Lewd: A Scratchy Itch in My Ass
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.