A work in constant progress (and occasional regress).
Alias:
M. Khutsiev
M. Khutsiyev
M. Kutsiyev
M.Khutsiev
Marlen Chuziew
Marlen Hutsijev
Marlen Khutsiev
Marlen Khutsyev
Marlen Khutsyyev
Marlen Martynovich Khutsiev
Марле́н Марты́нович Хуци́ев
Марлен Хуциев
Birthplace:
Tiflis, Georgian SSR, Transcaucasian SFSR, USSR
Born:
October 4, 1925
Died:
March 19, 2019
Marlen Martynovich Khutsiev (Russian: Марле́н Марты́нович Хуци́ев; 4 October 1925 – 19 March 2019) was a Georgian-born Soviet and Russian filmmaker best known for his cult films from the 1960s, which include I Am Twenty and July Rain. He was named a People's Artist of the USSR in 1986. Khutsiev studied film in the directing department at the Gerasimov Institute of Cinematography (VGIK), graduating in 1952. He worked as a director at the Odessa film studio from 1952 to 1958, and worked full-time as a director at Mosfilm from 1965 onward. Khutsiev's first feature film, Spring on Zarechnaya Street (1956), encapsulated the mood of the Khrushchev Thaw and went on to become one of the top box-office draws of the 1950s. Three years later, Khutsiev launched Vasily Shukshin "as a new kind of popular hero" by starring him in Two Fyodors. His two masterpieces of the 1960s, however, were panned by the authorities, forcing Khutsiev into something of an artistic silence. In 1978, Khutsiev began teaching film directing master classes at the VGIK.) His 1991 film Infinitas won the Alfred Bauer Prize at the 42nd Berlin International Film Festival.
Art Direction:
1967 Strong with Spirit
Assistant Director:
1955 Lyana
1967 Strong with Spirit
Author:
1955 Lyana
1967 Strong with Spirit
1971 The Scarlet Sail of Paris
Director:
1955 Lyana
1956 Spring on Zarechnaya Street
1958 The Two Fedors
1965 I Am Twenty
1967 July Rain
1967 Strong with Spirit
1970 It Was In May
1971 The Scarlet Sail of Paris
1974 And Still I Believe
1983 Postscript
1993 Infinity
2001 People of 1941
2013 Venice 70: Future Reloaded
Scenario Writer:
1955 Lyana
1956 Spring on Zarechnaya Street
1958 The Two Fedors
1958 Youth Street
1965 I Am Twenty
1967 July Rain
1967 Strong with Spirit
1970 It Was In May
1971 The Scarlet Sail of Paris
1974 And Still I Believe
1983 Postscript
1993 Infinity
2001 People of 1941
2013 Venice 70: Future Reloaded
Screenplay:
1955 Lyana
1956 Spring on Zarechnaya Street
1958 The Two Fedors
1958 Youth Street
1965 I Am Twenty
1967 July Rain
1967 Strong with Spirit
1970 It Was In May
1971 The Scarlet Sail of Paris
1974 And Still I Believe
1983 Postscript
1993 Infinity
2001 People of 1941
2013 Venice 70: Future Reloaded
Writer:
1955 Lyana
1956 Spring on Zarechnaya Street
1958 The Two Fedors
1958 Youth Street
1965 I Am Twenty
1967 July Rain
1967 Strong with Spirit
1970 It Was In May
1971 The Scarlet Sail of Paris
1974 And Still I Believe
1983 Postscript
1993 Infinity
2001 People of 1941
2013 Venice 70: Future Reloaded
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.