A work in constant progress (and occasional regress).
Additional Dialogue:
1991 Intimate Stranger
Director:
1991 Intimate Stranger
1994 Marilyn Monroe: The Mortal Goddess
1995 Modern Marvels: The Astrodome and Other Great Stadiums
1997 Mahalia Jackson: The Power and the Glory
1998 Prophecies
2002 Sounds of Memphis
Producer:
1972 The Harder They Come
1983 Richard Pryor: Here and Now
1991 Intimate Stranger
1994 Marilyn Monroe: The Mortal Goddess
1995 Modern Marvels: The Astrodome and Other Great Stadiums
1997 Mahalia Jackson: The Power and the Glory
1998 Prophecies
2001 Welcome to Death Row
2002 Sounds of Memphis
2012 Iceberg Slim: Portrait of a Pimp
Researcher:
1972 The Harder They Come
1983 Return Engagement
1983 Richard Pryor: Here and Now
1991 Intimate Stranger
1994 Marilyn Monroe: The Mortal Goddess
1995 Modern Marvels: The Astrodome and Other Great Stadiums
1997 Mahalia Jackson: The Power and the Glory
1998 Prophecies
2001 Welcome to Death Row
2002 Sounds of Memphis
2012 Iceberg Slim: Portrait of a Pimp
Thanks:
1972 The Harder They Come
1979 Apocalypse Now
1983 Return Engagement
1983 Richard Pryor: Here and Now
1991 Intimate Stranger
1994 Marilyn Monroe: The Mortal Goddess
1995 Modern Marvels: The Astrodome and Other Great Stadiums
1997 Mahalia Jackson: The Power and the Glory
1998 Prophecies
2001 Welcome to Death Row
2002 Sounds of Memphis
2012 Iceberg Slim: Portrait of a Pimp
Writer:
1972 The Harder They Come
1979 Apocalypse Now
1983 Return Engagement
1983 Richard Pryor: Here and Now
1991 Intimate Stranger
1994 Marilyn Monroe: The Mortal Goddess
1995 Modern Marvels: The Astrodome and Other Great Stadiums
1997 Mahalia Jackson: The Power and the Glory
1998 Prophecies
2001 Welcome to Death Row
2002 Sounds of Memphis
2012 Iceberg Slim: Portrait of a Pimp
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.