José Padilha (b. 1967)

Alias:
José Bastos Padilha Neto

Birthplace:
Rio de Janeiro, Rio de Janeiro, Brazil

Born:
August 1, 1967

José Padilha is an award-winning Brazilian director of the Brazilian films Bus 174,Tropa de Elite - which earned him a Golden Bear award at the 2008 Berlin International Film Festival - and Tropa de Elite 2.  The films form part of a trilogy, looking at the influence of media, police and, finally, polticians. His film Secrets of the Tribe premiered at the 2010 Sundance Film Festival to critical acclaim.  This documentary explores the allegations, first brought to light in the book Darkness in El Dorado, that anthropologists studying the Yanomami Indians in the 1960s and 70s engaged in bizarre and inappropriate interactions with the tribe, including sexual and medical violations.

Additional information:

The Search Form


Director:
2002  Bus 174
2007  Elite Squad
2009  Garapa
2010  Elite Squad: The Enemy Within
2010  Secrets of the Tribe
2014  Rio, I Love You
2014  RoboCop
2018  7 Days in Entebbe
????  Dead or Alive

Editor:
2002  Bus 174
2007  Elite Squad
2009  Garapa
2010  Elite Squad: The Enemy Within
2010  Secrets of the Tribe
2014  Rio, I Love You
2014  RoboCop
2018  7 Days in Entebbe
????  Dead or Alive

Producer:
2000  The Charcoal People
2002  Bus 174
2004  Estamira
2007  Elite Squad
2007  Estamira Para Todos E Para Ninguém
2009  Garapa
2010  Elite Squad: The Enemy Within
2010  Secrets of the Tribe
2012  Artificial Paradises
2014  Rio, I Love You
2014  RoboCop
2016  Curumim
2018  7 Days in Entebbe
2019  It's a Match
????  Dead or Alive

Screenplay:
2000  The Charcoal People
2002  Bus 174
2004  Estamira
2007  Elite Squad
2007  Estamira Para Todos E Para Ninguém
2009  Garapa
2010  Elite Squad: The Enemy Within
2010  Secrets of the Tribe
2012  Artificial Paradises
2014  Rio, I Love You
2014  RoboCop
2016  Curumim
2018  7 Days in Entebbe
2019  It's a Match
????  Dead or Alive

Story:
2000  The Charcoal People
2002  Bus 174
2004  Estamira
2007  Elite Squad
2007  Estamira Para Todos E Para Ninguém
2009  Garapa
2010  Elite Squad: The Enemy Within
2010  Secrets of the Tribe
2012  Artificial Paradises
2014  Rio, I Love You
2014  RoboCop
2016  Curumim
2018  7 Days in Entebbe
2019  It's a Match
????  Dead or Alive

Writer:
2000  The Charcoal People
2002  Bus 174
2004  Estamira
2007  Elite Squad
2007  Estamira Para Todos E Para Ninguém
2009  Garapa
2010  Elite Squad: The Enemy Within
2010  Secrets of the Tribe
2012  Artificial Paradises
2014  Rio, I Love You
2014  RoboCop
2016  Curumim
2018  7 Days in Entebbe
2019  It's a Match
????  Dead or Alive

Creator:
2018  The Mechanism

Director:
2015  Narcos
2018  The Mechanism

Executive Producer:
2015  Narcos
2018  Narcos: Mexico
2018  The Mechanism

Producer:
2015  Narcos
2018  Narcos: Mexico
2018  The Mechanism

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.