Elena Soarez (b. 1965)

Alias:
Elena Soares
Elena Soárez

Birthplace:
Rio de Janeiro, Rio de Janeiro, Brazil

Born:
January 1, 1965

Born in Rio de Janeiro in 1965, Elena Soárez is one of the most important writers of Brazilian cinema today.  Elena Soárez holds a degree in economics from PUC; with a master's degree in social anthropology from UFRJ.  His debut as a screenwriter was at the invitation of filmmaker Andrucha Waddingotn, who became a screenwriter in the following films: Twin (1999), adapted from Nelson Rodrigues; the award-winning Eu tu eles (2000), a film that took part in the "A Certain Look" show at the Cannes Film Festival and whose screenplay was developed at the Screenwriters Laboratory at the Sundance Film Festival.

Additional information:

The Search Form


Associate Producer:
1999  Twins

Screenplay:
1999  Twins
2004  Redeemer
2007  City of Men

Screenstory:
1999  Twins
2004  Redeemer
2005  The House of Sand
2007  City of Men

Script:
1999  Twins
2004  Redeemer
2005  The House of Sand
2007  City of Men
2008  Slightly Out of Tune

Writer:
1999  Twins
2000  Me, You, Them
2003  Diary of a Provincial Girl
2004  Redeemer
2005  The House of Sand
2007  City of Men
2008  Camila Jam
2008  Slightly Out of Tune
2012  Father’s Chair
2012  Xingu
2014  Rio, I Love You

Creator:
2017  Treze Dias Longe do Sol
2018  The Mechanism

Screenplay:
2006  Antonia
2017  Treze Dias Longe do Sol
2018  The Mechanism

Series Writer:
2006  Antonia
2017  Treze Dias Longe do Sol
2018  The Mechanism

Writer:
2002  City of Men
2006  Antonia
2017  Treze Dias Longe do Sol
2018  The Mechanism

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.