Mae Whitman (b. 1988)

Birthplace:
Los Angeles, California, USA

Born:
June 9, 1988

Mae Margaret Whitman (born June 9, 1988) is an American actress and singer. She began acting in commercials as a child, making her film debut at the age of six in the romantic drama When a Man Loves a Woman (1994). She achieved recognition as a child actress for her supporting roles in One Fine Day (1996), Independence Day (1996), Hope Floats (1998), and her television roles on Chicago Hope (1996–1999) and JAG (1998–2001).  Whitman gained mainstream attention for her recurring role as Ann Veal on the Fox sitcom Arrested Development (2004–2006, 2013), as Amber Holt on the NBC drama series Parenthood (2010–2015), and as Annie Marks on the NBC crime comedy Good Girls (2018–2021). For her work on Parenthood, she was nominated for the Critics' Choice Television Award for Best Supporting Actress in a Drama Series. Whitman ventured into mature film roles with Scott Pilgrim vs. the World (2010) and The Perks of Being a Wallflower (2012), and made her leading role film debut in The DUFF (2015), for which she received critical praise and a Teen Choice Award nomination.  Whitman established herself as a prominent voice actor in children's film and television for her voice performances as Little Suzy in Johnny Bravo (1997–2004), Shanti in The Jungle Book 2 (2003), Katara in the Nickelodeon cartoon Avatar: The Last Airbender (2005–2008), Rose/Huntsgirl on American Dragon: Jake Long (2005–2007), Tinker Bell in eponymous films, Wonder Girl / Cassie Sandsmark in Young Justice (2012–2022), April O'Neil in the 2012 incarnation of Teenage Mutant Ninja Turtles, and Amity Blight in The Owl House (2020–2023).

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.