A work in constant progress (and occasional regress).
Guido is an Argentine actor based in Buenos Aires. He trained as an actor with Fabiana García Lago, Julián Doregger, Alejandro Catalán, Francisca Ure, Matías Feldman, and Santiago Gobernori. In theater, he participated in Daniel Canney's "Spooling" and Malena Wanda Vera's "Amor de ciuda", directed by Nahuel Vec. In film, he appeared in Carlos Sorín's "El cuaderno de Tomy", Sebastián Borensztein's "Descansar en Paz", and starred in Carlos Oscar Di Lorenzo's "La cabeza contra el Piso", among other short films. He also appeared in Gabriel Nicoli's series "El robo mundial" and Cohn and Duprat's "Nada". Currently, he is pursuing a Bachelor's degree in Art of Writing and has attended writing workshops with Roque Larraquy and Fabián Casas. Recently, he published his story "Casa de calle Lamadrid" as part of the Luz de Provincia Contest.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.