Tony Imi (1937-2010)

Birthplace:
London, England, UK

Born:
March 27, 1937

Died:
March 8, 2010

Additional information:

The Search Form


Camera Operator:
1968  The Charlton Boys
1974  Come Out, Come Out, Wherever You Are
1982  Inside the Third Reich

Cinematography:
1968  The Charlton Boys
1971  Rolanda Polonsky, Sculptor
1974  Come Out, Come Out, Wherever You Are
1980  Death Penalty
1982  Inside the Third Reich
1986  The Last Days of Frank and Jesse James

Director of Photography:
1965  Three Clear Sundays
1965  Up the Junction
1966  Cathy Come Home
1967  The Lump
1968  Inadmissible Evidence
1968  The Charlton Boys
1968  The Golden Vision
1971  Dulcima
1971  Rolanda Polonsky, Sculptor
1971  The Raging Moon
1972  I Am a Dancer
1974  Come Out, Come Out, Wherever You Are
1976  The Slipper and the Rose
1977  That's Carry On!
1978  Brass Target
1978  International Velvet
1979  Breakthrough
1980  A Tale of Two Cities
1980  Death Penalty
1980  North Sea Hijack
1981  For Ladies Only
1982  Dreams Don't Die
1982  Inside the Third Reich
1983  Nate and Hayes
1984  A Christmas Carol
1984  Pope John Paul II
1984  Sakharov
1985  Enemy Mine
1986  Oceans of Fire
1986  The Last Days of Frank and Jesse James
1987  Empire State
1987  The Return of Sherlock Holmes
1988  Buster
1989  Babycakes
1989  Options
1989  Wired
1990  Coins in the Fountain
1990  Fire Birds
1990  The Old Man and the Sea
1991  Fourth Story
1991  Our Sons
1991  The Last to Go
1992  Against Her Will: An Incident in Baltimore
1994  Shopping
1996  Her Desperate Choice
1996  The Abduction
1996  The Sunshine Boys
1999  Aimée & Jaguar
2000  Lighthouse
2001  Goodbye Charlie Bright
2002  Taliesin Jones
2004  Lighthouse Hill
2004  School for Seduction
2004  The Blackwater Lightship
2006  Three
2007  The Shell Seekers
????  Timeless Eye

Director of Photography:
1977  The Professionals
1983  Princess Daisy
2008  Rosamunde Pilcher's Four Seasons

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.