A work in constant progress (and occasional regress).
Birthplace:
Toronto, Ontario, Canada
Born:
April 9, 2006
Arteen Khalatbari is a fast-rising and in-demand Canadian film producer, and the Founder of ArtMania Films. He is currently producing several feature films alongside a slate of short-form projects, with a focus on theatrical, critically driven films that blend bold artistic vision with commercial success, led by a new generation of visionary talent. He has collaborated with mentors and crew members from Mission: Impossible, Spider-Man: No Way Home, Transformers, The Mandalorian, The Boys, Reacher, Ontario Creates, Elevation Pictures, Touchwood PR, just to name a few. Known for his sharp instinct for packaging and strategy, Arteen brings a rare combination of entrepreneurial drive and creative focus to every project. He is widely recognized for his strong command of the business side of filmmaking, while supporting original stories with clarity and conviction. His work has earned him a reputation as one of the most forward-thinking and visionary young producers in Canada. He is currently studying at the Lazaridis School of Business & Economics. In 2025, he won both the Regional and National Enactus Competitions for his documentary work, setting a university record for the most awards won at a single event. He also serves on the Selection Committee for the Forest City Film Festival. Arteen's films have screened at TIFF Lightbox and other festivals. He recently attended the Marché du Film at the Cannes Film Festival, where he represented ArtMania's growing slate, making him one of the youngest Canadian producers to ever attend the market.
Cinematography:
2025 Hard Luck
Colorist:
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Director:
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Editor:
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Producer:
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Sound Designer:
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Writer:
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.