Karina Rivero (b. 1994)

Birthplace:
Mexico City, México

Born:
December 3, 1994

Karina is a composer, sound designer and music producer with a passion for storytelling. Through her narrative-driven work, Karina explores the universe of sounds to create music that resonates with her listeners. She has participated in numerous projects in North America and Europe, including feature films like Apapacho, Eagle Knight, Isle of Dolls, Aztech the Movie, Chateau Vato; multiple award-winning short films, advertising, podcasts, albums and singles. Her music is inspired by sonic palettes that include both the orchestral and the electronic realms, drawing from all kinds of sonic influences for her music – from Alexandre Desplat, to Arturo Márquez and Subtronics. Her mentors include Dr. Andy Hill, ex vice-president of music production at Disney; Conrad Pope, orchestrator for John Williams; and Rosino Serrano, a two-time Latin Grammy Nominee for best arrangement. Karina has received recognition for her work in competitions such as Score Live London, where she got the second runner-up award and the Music Cosmos Composer competition, where she was a finalist. In 2022, she was awarded a scholarship sponsored by Jan A.P. Kaczmarek, Academy Award winner for best score to study at the Film Scoring Academy of Europe, where she formalized her studies in the film music art and craft. She was also a part of Berlinale Talents in its Guadalajara Campus in 2020.

Additional information:

The Search Form


Music:
2019  Bad Weed
2020  Aztech
2020  Captain Blackbeard
2022  Medusa
2024  #Rats
2024  A Banishment, A Refuge
????  Coincidir

Sound Designer:
2019  Bad Weed
2020  Aniela
2020  Aztech
2020  Captain Blackbeard
2021  Tenoch
2022  Medusa
2024  #Rats
2024  A Banishment, A Refuge
????  Coincidir

Sound Recordist:
2019  Bad Weed
2020  Aniela
2020  Aztech
2020  Captain Blackbeard
2020  Play God
2021  Tenoch
2022  Medusa
2024  #Rats
2024  A Banishment, A Refuge
????  Coincidir

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.