Patrick Bradberry

Birthplace:
South Carolina, USA

Patrick Bradberry is an IATSE 706 Union Makeup Artist working in Los Angeles, California. Originally from a small town in South Carolina, Patrick grew up as an inventive and artistic child. From painting, to sculpting, and creating intricate props out of random materials, he has always had his hands in something creative. He soon found his medium in makeup artistry.  Since moving to Los Angeles, Patrick has been taught and mentored by the industry’s top Makeup Artists. Artists such as Ve Neill, Lee Joyner, Rod Maxwell, and many more have all helped to develop his talents. Currently Patrick is working in Film, TV, commercial, music videos, and print. His work ranges from Special Effects Makeup, Creature Design, Beauty, High Fashion/ Editorial, and Realistic Body Fabrication.

Additional information:

The Search Form


Hairstylist:
2023  Resurrected

Key Makeup Artist:
2021  American Mobster: Retribution
2021  Kill Plan
2023  Resurrected
2023  The Gateway Drug

Makeup & Hair:
2021  American Mobster: Retribution
2021  Kill Plan
2022  Maybe Someday
2023  Resurrected
2023  The Gateway Drug

Makeup Artist:
2020  Acrylic
2021  American Mobster: Retribution
2021  Kill Plan
2022  All About Araya
2022  Maybe Someday
2023  Resurrected
2023  The Gateway Drug

Makeup Department Head:
2020  Acrylic
2021  American Mobster: Retribution
2021  Kill Plan
2022  All About Araya
2022  Maybe Someday
2023  Angel Baby
2023  Resurrected
2023  The Gateway Drug

Special Effects Makeup Artist:
2020  Acrylic
2021  American Mobster: Retribution
2021  Amityville Cop
2021  Kill Plan
2022  All About Araya
2022  Maybe Someday
2023  Angel Baby
2023  Resurrected
2023  The Gateway Drug
2025  Somnium

Makeup Artist:
2024  Clipped

Special Effects Makeup Artist:
2021  Acapulco
2024  Clipped

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.