A work in constant progress (and occasional regress).
Alias:
Henri Sokal
Henry R. Sokal
Henry Sokal
Birthplace:
Craiova, Dolj, Romania
Born:
February 20, 1898
Died:
March 7, 1979
Harry R. Sokal (also Henry R. Sokal), born February 20, 1898 in Craiova and died March 7, 1979 in Munich, was a German film producer of Romanian origin and of the Jewish faith. Harry Sokal produced 22 films between 1926 and 1977. He specialized in the production of films related to the mountain, mainly those of Arnold Fanck and Leni Riefenstahl. After the National Socialists seized power in 1933, he emigrated to England before settling in France in 1937. In 1941, he moved to the United States where he worked for the small production company Monogram before return to Germany in 1949 where he founded the production company Henry Sokal-Film. He produced his first post-war work, Föhn, which was a remake of his greatest success, The White Inferno of Piz Palü. Until his death, he worked with the Munich studios Bavaria Filmstudios located in Grünwald. His most famous post-war film was The Hero and the Soldier in 1958 with Otto Wilhelm Fischer, based on the comedy by George Bernard Shaw. Harry Sokal was married to actress Charlotte Kerr. He died in 1979 and is buried in Grünwald.
Assistant Director:
1970 The Delegation
Co-Producer:
1959 And That on Monday Morning
1970 The Delegation
Director:
1940 They Met on Skis
1959 And That on Monday Morning
1970 The Delegation
Editor:
1940 They Met on Skis
1959 And That on Monday Morning
1970 The Delegation
Producer:
1926 The Holy Mountain
1926 The Student of Prague
1929 The White Hell of Pitz Palu
1931 White Ecstasy
1932 The Blue Light
1940 They Met on Skis
1956 Holidays in Tyrol
1958 Arms and the Man
1959 And That on Monday Morning
1960 Heldinnen
1970 The Delegation
Production Manager:
1926 The Holy Mountain
1926 The Student of Prague
1929 The White Hell of Pitz Palu
1931 White Ecstasy
1932 The Blue Light
1940 They Met on Skis
1956 Holidays in Tyrol
1958 Arms and the Man
1959 And That on Monday Morning
1960 Heldinnen
1970 The Delegation
1978 Rusalka
Production Supervisor:
1926 The Holy Mountain
1926 The Student of Prague
1929 The White Hell of Pitz Palu
1931 White Ecstasy
1932 The Blue Light
1940 They Met on Skis
1956 Holidays in Tyrol
1958 Arms and the Man
1959 And That on Monday Morning
1960 Heldinnen
1970 The Delegation
1977 Twilight's Last Gleaming
1978 Rusalka
1978 Who Is Killing the Great Chefs of Europe?
Screenplay:
1926 The Holy Mountain
1926 The Student of Prague
1929 The White Hell of Pitz Palu
1931 White Ecstasy
1932 The Blue Light
1940 They Met on Skis
1956 Holidays in Tyrol
1958 Arms and the Man
1959 And That on Monday Morning
1960 Heldinnen
1970 The Delegation
1977 Twilight's Last Gleaming
1978 Rusalka
1978 Who Is Killing the Great Chefs of Europe?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.