Ana Regina Narváez Morales (b. 2002)

Alias:
Ana Re

Birthplace:
Mexico City, Mexico

Born:
May 28, 2002

Ana Re is a seventh semester student of Communications at Tecnológico de Monterrey in Mexico City, with additional experience at the Lille Catholic University in France. She has participated in audiovisual productions as director, producer and writer, including "Rojo Guajillo" (2023), a short film which won a second place prize at Tecnológico de Monterrey's film festival. Additionally she's worked on commercials and productions from the production company Blua Media. Likewise, she has many independent projects focused on social causes, which use her abilities in cinematography, storytelling and audiovisual production to make a change in the world.  Nowadays her focus is on social impact journalism, which is reflected through her projects like the short documentary "Reencontrarse a sí misma: los retos de la viudez" (2023), which was a finalist in the Art and Culture film festival VIBRART 2024, in the cine-documentary catergory. Likewise, she's currently coursing an internship with PlayGround, the digital media company.

Additional information:

The Search Form


Boom Operator:
2023  Rojo Guajillo

Director:
2023  Rojo Guajillo

Producer:
2023  Rojo Guajillo

Sound Design Assistant:
2023  Rojo Guajillo

Writer:
2023  Rojo Guajillo

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.