Danny Rogers

Alias:
Dan Rogers

Danny Rogers is a writer, director, and actor who tells provocative stories that explore complex identity issues and blur traditional genre lines.  His mom is a black woman from Jamaica. His dad is a white man from New Jersey. He's a pale, ginger biracial man. The paradox of his mixed racial identity and the strange experiences that come along with it inspire much of the writer, director, and actor's creative work.  After graduating from Dartmouth College with a Bachelor's in US history, Danny moved to New York City, where he got one of his first jobs as a membership desk assistant at an esteemed museum on 5th Avenue. Working in the fine art world was only a brief detour on his intended career path as he later broke into television production as a CBS Page for The Late Show with Stephen Colbert and a production assistant for Last Week Tonight with John Oliver.  In 2022, he graduated with an MFA in Film & Television Production from USC’s School of Cinematic Arts. Danny is also the winner of the 28th Annual DGA Student Film Awards Jury Prize in the West Region/African American Category in 2022 for his thesis film, The Fairchild, which was screened at the American Black Film Festival (ABFF) in 2023. His brief time working at a prestigious museum in New York City and lifetime of feeling like a token in white institutions inspired the project.  He is currently pursuing professional screenwriting and filmmaking in Los Angeles and looks to follow in the footsteps of a few of his main creative influences and other multi-hyphenate artists such as Spike Lee, Dave Chappelle, and Jordan Peele.

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Director:
2022  The Fairchild

Writer:
2022  The Fairchild

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.