A work in constant progress (and occasional regress).
Birthplace:
Berlin, East Germany
Lorenz Fischer (Berlin, 1986) is a re-recording mixer and sound designer based in Berlin. He studied Art History, Media Studies and Musicology at the Humboldt University in Berlin and Sound for Picture at the Filmuniversität Babelsberg , where he graduated with a Master's degree in 2020. His collaborations have been screened at several international festivals and his sound work has received awards from the Association of German Sound Engineers and various festivals.
Sound Designer:
2019 Ella
2021 Salidas
2022 Kiss My Wounds
2022 Platform
Sound Mixer:
2019 Ella
2021 Salidas
2022 Kiss My Wounds
2022 Platform
2024 Construction Work
2024 On the Impossibility of an Homage
Sound Re-Recording Mixer:
2013 The Incomplete
2015 Four Corners of a Circle
2015 Prison System 4614
2016 The Hanging
2017 A Gentle Noise Between the Lines
2017 Gabi
2018 Rå
2018 Smile
2019 Ella
2019 Rescue the Fire
2019 You Tell Me
2021 Blind Spots
2021 Mayor, Shepherd, Widow, Dragon
2021 Salidas
2022 Kiss My Wounds
2022 Nico
2022 Platform
2022 Talking About the Weather
2022 The Other End of the Street
2023 Apostles of Cinema
2023 Sentimental Stories
2023 Talk to Me
2023 Vic
2023 Yugotransport - We Are All on the Same Bus
2024 A Bull Calls
2024 About Them
2024 Arthur & Diana
2024 Construction Work
2024 Dreißig Jahre an der Peitsche
2024 Krzyk: Losing Control
2024 Lost in Helsinki
2024 On the Impossibility of an Homage
???? Vigen, Berlin and the Cold War
Sound Recordist:
2012 Crazy Dennis Tiger
2013 The Incomplete
2015 Four Corners of a Circle
2015 Prison System 4614
2016 The Hanging
2017 A Gentle Noise Between the Lines
2017 Gabi
2018 Rå
2018 Smile
2019 Children of Utopia
2019 Ella
2019 Rescue the Fire
2019 Winter Journey
2019 You Tell Me
2021 Blind Spots
2021 Mayor, Shepherd, Widow, Dragon
2021 Salidas
2022 Kiss My Wounds
2022 Nico
2022 Platform
2022 Talking About the Weather
2022 The Other End of the Street
2023 Apostles of Cinema
2023 Sentimental Stories
2023 Talk to Me
2023 Vic
2023 Yugotransport - We Are All on the Same Bus
2024 A Bull Calls
2024 About Them
2024 Arthur & Diana
2024 Construction Work
2024 Dreißig Jahre an der Peitsche
2024 Krzyk: Losing Control
2024 Lost in Helsinki
2024 On the Impossibility of an Homage
???? Vigen, Berlin and the Cold War
Sound Supervisor:
2012 Crazy Dennis Tiger
2013 The Incomplete
2015 Four Corners of a Circle
2015 Prison System 4614
2016 The Hanging
2017 A Gentle Noise Between the Lines
2017 Gabi
2018 Rå
2018 Smile
2019 Children of Utopia
2019 Ella
2019 Rescue the Fire
2019 Winter Journey
2019 You Tell Me
2021 Blind Spots
2021 Mayor, Shepherd, Widow, Dragon
2021 Salidas
2022 Kiss My Wounds
2022 Nico
2022 Platform
2022 Talking About the Weather
2022 The Other End of the Street
2023 Apostles of Cinema
2023 Sentimental Stories
2023 Talk to Me
2023 Vic
2023 Yugotransport - We Are All on the Same Bus
2024 A Bull Calls
2024 About Them
2024 Arthur & Diana
2024 Construction Work
2024 Dreißig Jahre an der Peitsche
2024 Krzyk: Losing Control
2024 Lost in Helsinki
2024 On the Impossibility of an Homage
???? Vigen, Berlin and the Cold War
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.