Rodrigo Apresentador

Alias:
Doll
Rodrigo Pereira
Rodrigo Xuxa

Birthplace:
Balneario Camboriu, Santa Catarina, Brazil

The extroverted boy who dreamed of being a TV star began at the age of 13 as a school game, a career performing for children, dancing and imitating the stars of his childhood, immersing himself in research and inspiring references. His first paid jobs came and he soon started investing in costumes, accessories and equipment for his presentations. Big TV stars, in Rodrigo's interpretation, awakened the charm of children, teachers, and school directors, and their shows began touring the municipal education network of Balneário Camboriú SC and private schools. Children's Day, Carnival, various celebrations and even corporate parties were already part of his curriculum. These corporate parties planted a seed in his head about the possibility of investing in shows in the format of what is now Stand Up Comedy. With the demand and attention to detail, Rodrigo began to incorporate a cast into his performances, which included dancers. The impeccable costumes also attracted attention. The production also grew, in addition to the stage assistants, sound technicians, and photo and video team proving that the greatness and professional concern were taken seriously. Already five years into his career, Rodrigo began investing in photo production and promotional material, and soon his work reached a high-level professional status. Partnerships and social networks were very important for Rodrigo to achieve admiration and curiosity from various parts of the country and even abroad. A tweet of Rodrigo lip-synching during a recording break for a program went viral, and without his knowledge it reached the trending topics in Brazil. In a matter of two days he was being invited to the main communication and media outlets in the country. Newspapers, Blogs, Websites, TV programs from the biggest broadcasters in the country. With this also came invitations to presentations and performances in nightclubs across the country. This made Rodrigo make a definitive decision to stop performing for children and dedicate himself to adult audiences, with a new language of both costume and body. There were intense months of traveling and shows around Brazil. Meeting Brazilian media and television personalities, such as Eliana, Luciana Gimenez and Hebe Camargo.

Additional information:

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Original Story:
????  Quando a Luz Se Apaga

Writer:
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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.