Amir Zargara

Birthplace:
Iran

Amir Zargara is an award-winning Iranian-Canadian writer and director, whose unique perspective is shaped by the cultural mosaic of Iran and Canada. His journey, characterized by the resilience of an immigrant and the challenges of living with a stutter, deeply influences his approach to filmmaking. An alumnus of prestigious programs at Berlinale, TIFF, Zurich, and Reykjavik, he explores the moral complexities individuals face in his films.  His short film A GOOD DAY WILL COME qualified for the Oscars and received over 70 awards and mentions across more than 100 film festivals worldwide. Amir's screenplays have garnered praise from top industry competitions, including the Academy’s Nicholl Fellowship, The Black List, Austin Film Festival, and Slamdance.  Amir has worked with acclaimed talents such as Oscar nominee Barkhad Abdi (Captain Phillips) and multiple Cannes and Berlinale alumni including Mehdi Bajestani (Holy Spider – Palme d’Or Nominee), Mahtab Servati (There Is No Evil – Berlinale Golden Bear), Reza Akhlaghirad (The Seed of the Sacred Fig – Cannes Jury Special Prize, A Man of Integrity – Cannes Un Certain Regard Award), and Hossein Soleimani (Terrestrial Verses – Cannes Un Certain Regard Nominee). His films have been distributed by Mongrel, The Criterion Channel, CBC, Bell, and BFI.

Additional information:

The Search Form


Casting:
2024  Ballerina Boy

Director:
2024  A Good Day Will Come
2024  Ballerina Boy

Producer:
2024  A Good Day Will Come
2024  Ballerina Boy

Writer:
2024  A Good Day Will Come
2024  Ballerina Boy

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.