A work in constant progress (and occasional regress).
Alias:
Clive Tickner, BSC
Clive Tickner is an English cinematographer.
Camera Operator:
1971 Crucible of Horror
1972 What Did You Learn At School Today?
1978 20 Times More Likely
1983 A Sign is a Fine Investment
Cinematography:
1971 Crucible of Horror
1972 What Did You Learn At School Today?
1978 20 Times More Likely
1983 A Sign is a Fine Investment
1993 The Borrowers
2007 Trust Me
Director:
1967 Conversation
1971 Crucible of Horror
1972 What Did You Learn At School Today?
1978 20 Times More Likely
1983 A Sign is a Fine Investment
1993 The Borrowers
2007 Trust Me
Director of Photography:
1967 Conversation
1969 Death May Be Your Santa Claus
1970 A Horse Called Nijinsky
1971 Crucible of Horror
1972 What Did You Learn At School Today?
1978 20 Times More Likely
1979 Le Petomane
1979 The Secret Policeman's Ball
1982 Give Us This Day
1982 Rating Notman
1983 A Sign is a Fine Investment
1983 Flying Into the Wind
1983 The Ploughman's Lunch
1984 Laughterhouse
1984 Loose Connections
1985 Billy the Kid and the Green Baize Vampire
1986 The Frog Prince
1989 The Long Way Home
1990 Hidden Agenda
1992 Split Second
1993 The Borrowers
1993 Voyage
1994 The Puppet Masters
1994 The Whipping Boy
1996 Loch Ness
1996 Twelfth Night
1997 Bring Me the Head of Mavis Davis
1997 Spice World
2002 Mrs. Meitlemeihr
2007 Trust Me
2017 Edmund the Magnificent
Director of Photography:
1989 Traffik
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.