Ugo Lombardi (1911-2002)

Gallery Unavailable

Birthplace:
Rome, Lazio, Italy

Born:
July 19, 1911

Died:
July 6, 2002

Additional information:

The Search Form


Camera Operator:
1948  Les Misérables
1948  Les Misérables - Storm Over Paris

Camera Supervisor:
1948  Les Misérables
1948  Les Misérables - Storm Over Paris
1953  El Curioso Impertinente

Cinematography:
1948  Les Misérables
1948  Les Misérables - Storm Over Paris
1953  El Curioso Impertinente
1963  The Dead at the Phone

Director:
1948  Les Misérables
1948  Les Misérables - Storm Over Paris
1953  El Curioso Impertinente
1954  É Proibido Beijar
1963  The Dead at the Phone

Director of Photography:
1939  Lo vedi come sei...lo vedi come sei?
1939  Montevergine
1939  Terra di nessuno
1940  Il capitano degli ussari
1940  La danza dei milioni
1940  Validità giorni dieci
1941  Brute Force
1941  I mariti
1943  Il fidanzato di mia moglie
1943  Mater dolorosa
1943  Totò nella fossa dei leoni
1946  Desire
1948  Guarany
1948  Les Misérables
1948  Les Misérables - Storm Over Paris
1949  Iracema
1949  O Caçula do Barulho
1950  Somos Dois
1952  Sand
1953  El Curioso Impertinente
1953  Uma Pulga na Balança
1954  É Proibido Beijar
1957  Rebelião em Vila Rica
1959  O Preço da Vitória
1960  Dona Violante Miranda
1961  Virou Bagunça
1963  The Dead at the Phone

Editor:
1939  Lo vedi come sei...lo vedi come sei?
1939  Montevergine
1939  Terra di nessuno
1940  Il capitano degli ussari
1940  La danza dei milioni
1940  Validità giorni dieci
1941  Brute Force
1941  I mariti
1943  Il fidanzato di mia moglie
1943  Mater dolorosa
1943  Totò nella fossa dei leoni
1946  Desire
1948  Guarany
1948  Les Misérables
1948  Les Misérables - Storm Over Paris
1949  Iracema
1949  O Caçula do Barulho
1950  Somos Dois
1952  Sand
1953  El Curioso Impertinente
1953  Uma Pulga na Balança
1954  É Proibido Beijar
1957  Rebelião em Vila Rica
1959  O Preço da Vitória
1960  Dona Violante Miranda
1961  Virou Bagunça
1963  The Dead at the Phone

Production Manager:
1939  Lo vedi come sei...lo vedi come sei?
1939  Montevergine
1939  Terra di nessuno
1940  Il capitano degli ussari
1940  La danza dei milioni
1940  Validità giorni dieci
1941  Brute Force
1941  I mariti
1943  Il fidanzato di mia moglie
1943  Mater dolorosa
1943  Totò nella fossa dei leoni
1946  Desire
1946  Paisan
1948  Guarany
1948  Les Misérables
1948  Les Misérables - Storm Over Paris
1949  Iracema
1949  O Caçula do Barulho
1950  Somos Dois
1952  Sand
1953  El Curioso Impertinente
1953  Uma Pulga na Balança
1954  É Proibido Beijar
1957  Rebelião em Vila Rica
1959  O Preço da Vitória
1960  Dona Violante Miranda
1961  Virou Bagunça
1963  The Dead at the Phone

Sound:
1939  Lo vedi come sei...lo vedi come sei?
1939  Montevergine
1939  Terra di nessuno
1940  Il capitano degli ussari
1940  La danza dei milioni
1940  Validità giorni dieci
1941  Brute Force
1941  I mariti
1943  Il fidanzato di mia moglie
1943  Mater dolorosa
1943  Totò nella fossa dei leoni
1946  Desire
1946  Paisan
1948  Guarany
1948  Les Misérables
1948  Les Misérables - Storm Over Paris
1949  Iracema
1949  O Caçula do Barulho
1950  Somos Dois
1952  Sand
1953  El Curioso Impertinente
1953  Uma Pulga na Balança
1954  É Proibido Beijar
1957  Rebelião em Vila Rica
1959  O Preço da Vitória
1960  Dona Violante Miranda
1961  Virou Bagunça
1963  The Dead at the Phone
1966  The Devil in Old Town

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.