Dickie Bamber

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Assistant Director:
1975  One of Our Dinosaurs Is Missing

Dressing Prop:
1964  Seance on a Wet Afternoon
1975  One of Our Dinosaurs Is Missing

Executive Producer:
1964  Seance on a Wet Afternoon
1975  One of Our Dinosaurs Is Missing
1985  The Innocent

First Assistant Director:
1964  Seance on a Wet Afternoon
1971  Dulcima
1975  One of Our Dinosaurs Is Missing
1985  The Innocent

Producer:
1964  Seance on a Wet Afternoon
1971  Dulcima
1975  One of Our Dinosaurs Is Missing
1982  Praying Mantis
1985  The Innocent
1986  Murder by the Book
1986  Strong Medicine

Production Manager:
1964  Seance on a Wet Afternoon
1971  Dulcima
1975  One of Our Dinosaurs Is Missing
1977  A Bridge Too Far
1982  Praying Mantis
1985  The Innocent
1986  Murder by the Book
1986  Strong Medicine

Second Assistant Director:
1964  Seance on a Wet Afternoon
1969  Carry On Camping
1969  Guns in the Heather
1971  Dulcima
1975  One of Our Dinosaurs Is Missing
1977  A Bridge Too Far
1982  Praying Mantis
1985  The Innocent
1986  Murder by the Book
1986  Strong Medicine

Second Unit First Assistant Director:
1964  Seance on a Wet Afternoon
1969  Carry On Camping
1969  Goodbye, Mr. Chips
1969  Guns in the Heather
1971  Dulcima
1975  One of Our Dinosaurs Is Missing
1977  A Bridge Too Far
1982  Praying Mantis
1985  The Innocent
1986  Murder by the Book
1986  Strong Medicine

Standby Property Master:
1959  Sapphire
1964  Seance on a Wet Afternoon
1968  Charlie Bubbles
1969  Carry On Camping
1969  Goodbye, Mr. Chips
1969  Guns in the Heather
1971  Dulcima
1975  One of Our Dinosaurs Is Missing
1977  A Bridge Too Far
1982  Praying Mantis
1985  The Innocent
1986  Murder by the Book
1986  Strong Medicine

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.