A work in constant progress (and occasional regress).
Amy Summers is a British composer with a focus in the film and choral sectors. Amy's scoring projects include ‘Every Morning’ (dir. Kelly Lohman), which won Best Original Score at the 2023 Indie Shorts Fest and Best Composer at the LA Independent Women Film Awards. Amy co-scored the documentary A Case For Love (dir. Brian Ide) with composer Nami Melumad and scored her first solo feature-length score for ANXIOUS. (dir. Nida Chowdhry). She’s done midi & score preparation for ‘The Gentlemen’ (Netflix), ‘Greatest Days’, and ‘Mr Malcolm's List’. Amy’s choral and organ music has been recorded, performed and commissioned by a wide range of ensembles and individuals and her music has been broadcast on BBC Radio & beyond.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.