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Annie Horth

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Biography from TheMovieDB

A multidisciplinary and award-winning Creative and Fashion director, with a wealth of industry experience Horth has held fashion directional posts and is known to bringing her tailored approach to an ever-evolving global media landscape.  A natural storyteller specialized in bringing creative visions to life in integrated marketing campaigns and editorial work. Translating brand strategies, positioning and partnerships into world-class creativity.  After her studies in Fashion Design, Horth made a name for herself as a stylist with ELLE. She then formed a long-lasting creative partnership with artist Céline Dion,  which broadened her creative practice to include album covers, perfume ads, red carpet and concert costume design. She also worked with top Couture ateliers in Paris and Milan.  From 2019-2022 she served as the Creative Director of both ELLE Canada and ELLE Quebec where she was tasked with spearheading the re-imagining of the magazines for this new era of publishing.  Horth worked with Saint Laurent , Dior, JJJJOUND, Dime , Chanel, Louis Vuitton , Gucci , Celine Dion, Sony, Coty, Lanvin, Alber Elbaz, Schiaparelli, Atelier Versace, Armani Privé, Elie Saab, Antonio Berardi, Givenchy Couture among others.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.