A work in constant progress (and occasional regress).
Birthplace:
Torreon, Coahuila, Mexico
She joined the National School of Film Arts (ENAC) in 2015, focusing on film directing. Since then, she has developed personal film projects and worked professionally as a script supervisor and assistant director on various productions. Her short film "Estamos jugando a que sí" was selected for the International Showcase of Women in Film and TV in 2017. Later, Nadie finge el espasmo was part of the Dulcísimo Ovario festival in 2020, and her thesis film "Nadie, ni siquiera la bruma" was selected for the same festival in 2022. It was also a semifinalist at the 2023 Student World Impact Film Festival in the Best Experimental Short category. Her work draws from emotional states like depression, anxiety, and grief, focusing on atmosphere and sensory experience while pushing the boundaries of storytelling.
Assistant Director:
2023 Tlön
Director:
2018 Men Do Not Sham Convulsion
2022 Nobody, Not Even the Mist
2023 Tlön
Editor:
2018 Men Do Not Sham Convulsion
2018 XXI Century Love
2022 Nobody, Not Even the Mist
2023 Tlön
Producer:
2016 Natura contra Natura
2018 Men Do Not Sham Convulsion
2018 XXI Century Love
2022 Nobody, Not Even the Mist
2023 Tlön
Screenplay:
2016 Natura contra Natura
2018 Men Do Not Sham Convulsion
2018 XXI Century Love
2022 Nobody, Not Even the Mist
2023 Tlön
Script Supervisor:
2016 Natura contra Natura
2018 Men Do Not Sham Convulsion
2018 XXI Century Love
2022 Nobody, Not Even the Mist
2023 Tlön
2025 High Voltage Superhighway
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.