A work in constant progress (and occasional regress).
Alias:
علاء مصباح
Birthplace:
Egypt
Born:
November 11, 1988
Alaa Mosbah is an Egyptian filmmaker and author. He has produced the Electric Press Kit for "Paranormal", Netflix first original Egyptian TV series. He was a Fulbright grantee at Columbia College Chicago in 2017. He graduated from the American University in Cairo in 2010, with a major in Communications and Media Arts and minor in Film. He got the International Critics Jury Prize (FIPRESCI), from Oberhausen International Short Film Festival 2012 for the short film "Café Regular, Cairo", produced by him and directed by Ritesh Batra. He was the line producer/ second unit director of "What Comes Around" documentary premiered at Berlinale Panorama 2018. He was nominated for Robert Bosch award at Berlin International Film Festival in 2014 for his documentary "Extra Time" and in 2015 for his short fiction film "Once Every Week". His first feature narrative script "Cairo, earlier" has participated in Rawi scriptwriters' lab 2013. He has directed and produced many TV documentaries for Al Jazeera English including "Ultras", "Medicine for Sale" and "Standards of Beauty". His short film "Tariq" was selected for the Arab Short Film Competition at Doha Tribeca Film Festival 2012. In 2011, He worked with Scandar Copti, an Oscar nominated filmmaker, and Ritesh Batra, a BAFTA nominated filmmaker, in the Education Department of Doha Film Institute to produce a 50-one-minute shorts in nine different Arab capitals.
Line Producer:
2018 What Comes Around
Producer:
2011 Café Regular, Cairo
2018 What Comes Around
Writer:
2011 Café Regular, Cairo
2018 What Comes Around
2021 Just One Kiss
Epk Producer:
2020 Paranormal
Writers' Assistant:
2020 Paranormal
2020 The Thief
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.