Miguel Lorenzo Peralta

“MIKO” MIGUEL LORENZO PERALTA is an independent filmmaker from the University of the Philippines Film Institute, who works as a freelance film and video editor, sound designer, and musical scorer. His interests in creating experimental documentary films stem from a desire to explore memory, history, and identity through the use of personal archives, both physical and digital, playing with its form, while also having a distinct approach to sound design. He participated in a Southeast Asian creative documentary storytelling workshop, AsiaDoc, organized by Forum Film Dokumenter and Docmonde-France, to develop a project on his personal experiences and reflections on flooding in Marikina. He has also worked as editor, musical scorer and sound designer for numerous short film projects, including several online digital theatre productions for the Ateneo de Manila University.

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Director:
2024  A Cyborg's Guide to Pleasure
2024  Please Keep This Copy
????  The Seconds We Stole

Editor:
2024  A Cyborg's Guide to Pleasure
2024  Please Keep This Copy
????  The Seconds We Stole

Music:
2024  A Cyborg's Guide to Pleasure
2024  Please Keep This Copy
2025  a tender awakening
????  The Seconds We Stole

Original Music Composer:
2024  A Cyborg's Guide to Pleasure
2024  Please Keep This Copy
2024  We're Just Sleepwalking
2025  a tender awakening
????  The Seconds We Stole

Producer:
2024  A Cyborg's Guide to Pleasure
2024  Please Keep This Copy
2024  We're Just Sleepwalking
2025  a tender awakening
????  The Seconds We Stole

Sound:
2024  A Cyborg's Guide to Pleasure
2024  Please Keep This Copy
2024  We're Just Sleepwalking
2025  a tender awakening
????  The Seconds We Stole

Sound Designer:
2024  A Cyborg's Guide to Pleasure
2024  Please Keep This Copy
2024  We're Just Sleepwalking
2025  Coding si Papa
2025  Pagpag
2025  Sisenta!
2025  a tender awakening
????  The Seconds We Stole

Sound Mixer:
2024  A Cyborg's Guide to Pleasure
2024  Please Keep This Copy
2024  We're Just Sleepwalking
2025  Coding si Papa
2025  Pagpag
2025  Sisenta!
2025  a tender awakening
????  The Seconds We Stole

Sound Recordist:
2024  A Cyborg's Guide to Pleasure
2024  Please Keep This Copy
2024  We're Just Sleepwalking
2025  Coding si Papa
2025  Pagpag
2025  Sisenta!
2025  a tender awakening
????  As July Ebbed Into My August
????  The Seconds We Stole

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.