A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Born:
December 4, 1997
Cal Freundlich is a composer, songwriter, and multi-instrumentalist from New York City. His music is recognized for its unique combination of acoustic, organic, and electronic instruments. Cal’s background as a guitar player, playing in rock, alternative, and jazz bands growing up, combined with his training in composition for film has allowed him to create an individual sound and style. Cal’s diverse capabilities has allowed him to write music for a wide variety of projects, from Documentary and Narrative films, to animations, video games, and even web-comics. His latest work includes the 2023 feature documentary "Eat Bitter," which just had it's world premiere at CPH: DOX, the 2022 documentary film “Found” (dir. Shuhao Tse), winner of the Special Jury Prize and Best Documentary 2022 Yugo BAFTA Student Awards and Gold Medal Winner at the Student Academy Awards, the 2021 documentary film “Eagles Rest in Liangshan” (dir. by Bohao Liu), winner of the Silver Medal in the 2021 Student Academy Awards Best Documentary category, and the 2021 short film, “Intersection” (dir. by Bart Freundlich), which premiered at the 2021 TriBeCa Film Festival. Cal is also the lead composer and Music Director for Laurel Pursuit Studios, who recently announced a major partnership with AETHON BOOKS to create a new slate of webcomics. Cal is guided by his enthusiasm for storytelling and media and his passion for film scoring comes from the freedom of exploration and expression it provides. He has earned a Master’s in Music from NYU Steinhardt, and in May of 2022 he was awarded the prestigious Elmer Bernstein Award for Outstanding Collabroation and Engagement from the NYU Steinhardt Screen Scoring department. Outside of composing, Cal is also an up-and-coming alternative R&B artist performing and releasing music under the name Caleb Moore. His debut EP was released in July 2024.
Music:
2024 Jinx
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Original Music Composer:
2021 Eagles Rest in Liangshan
2022 Forty Winks
2022 Found
2022 The Lion and the Firebird
2023 Eat Bitter
2023 I Am More Dangerous Dead
2023 Kingdome
2023 The Hammer of Witches: The Screech Owl
2024 Jinx
2025 Everywhere I Look
???? All at Once
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Sound Recordist:
2021 Eagles Rest in Liangshan
2021 With/In Volume 1
2022 Forty Winks
2022 Found
2022 The Lion and the Firebird
2023 Eat Bitter
2023 I Am More Dangerous Dead
2023 Kingdome
2023 The Hammer of Witches: The Screech Owl
2024 Jinx
2025 Everywhere I Look
???? All at Once
???? Expiration Date
Thanks:
2021 Eagles Rest in Liangshan
2021 With/In Volume 1
2022 Forty Winks
2022 Found
2022 The Lion and the Firebird
2023 Eat Bitter
2023 I Am More Dangerous Dead
2023 Kingdome
2023 The Hammer of Witches: The Screech Owl
2024 Jinx
2025 Everywhere I Look
???? All at Once
???? Expiration Date
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.