A work in constant progress (and occasional regress).
Alias:
Nat Hay
Birthplace:
Lewisham, London, England, UK
Born:
January 7, 2000
Natalie is a screenwriter and all around film maker from London. She's a trans woman with an interest in furthering queer representation within media, alongside creating things that are purely bizarre.
Boom Operator:
2022 A Fluorescent Sky
Camera Operator:
2022 A Fluorescent Sky
2024 3 Piece
2024 As A Joke
2025 Bri Power: Perpetual Child
2025 Janus
Cinematography:
2022 A Fluorescent Sky
2024 3 Piece
2024 As A Joke
2025 Bri Power: Perpetual Child
2025 Janus
Colorist:
2022 A Fluorescent Sky
2024 3 Piece
2024 As A Joke
2025 Bri Power: Perpetual Child
2025 Janus
Compositor:
2022 A Fluorescent Sky
2024 3 Piece
2024 As A Joke
2025 Bri Power: Perpetual Child
2025 Janus
Costumer:
2022 A Fluorescent Sky
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Decorator:
2022 A Fluorescent Sky
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Director:
2019 BRIAN
2022 A Fluorescent Sky
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Director of Photography:
2019 BRIAN
2022 A Fluorescent Sky
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Editor:
2019 BRIAN
2022 A Fluorescent Sky
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Executive Producer:
2019 BRIAN
2022 A Fluorescent Sky
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Gaffer:
2019 BRIAN
2022 A Fluorescent Sky
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Grip:
2019 BRIAN
2022 A Fluorescent Sky
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Makeup & Hair:
2019 BRIAN
2022 A Fluorescent Sky
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Producer:
2019 BRIAN
2022 A Fluorescent Sky
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Production Design:
2019 BRIAN
2022 A Fluorescent Sky
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Sound Designer:
2019 BRIAN
2022 A Fluorescent Sky
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Sound Mixer:
2019 BRIAN
2022 A Fluorescent Sky
2022 The Impostor
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Special Effects:
2019 BRIAN
2022 A Fluorescent Sky
2022 The Impostor
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Visual Effects:
2019 BRIAN
2022 A Fluorescent Sky
2022 The Impostor
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
Writer:
2019 BRIAN
2022 A Fluorescent Sky
2022 The Impostor
2024 12:34 AMM
2024 3 Piece
2024 As A Joke
2024 P.E.C
2025 Bri Power: Perpetual Child
2025 Janus
???? Small Minded People: Alfred
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.