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Jenny Jugo (1904-2001)

Alias:
Eugenie Walter

Birthplace:
Mürzzuschlag, Austria

Born:
June 14, 1904

Died:
September 30, 2001

Biography from TheMovieDB

Jenny Jugo (born Eugenie Walter; 14 June 1904 – 30 September 2001) was an Austrian actress. She appeared in more than fifty films between 1925 and 1950.  She was placed under contract by the German studio UFA in 1924, but struggled in early dramatic roles. Towards the end of the silent era, she fared much better in comedies and this trend continued into the 1930s. She became known for her portrayal of bouncy, assertive characters. Many of her films during this period were directed by Erich Engel. She continued making films during the Nazi era until 1943, spending much of the rest of her time at her home in Bavaria.  She was in a relationship with the producer Eberhard Klagemann who oversaw her final three post-war productions, including the DEFA comedy Don't Dream, Annette (1949).  In 1950 she married her former co-star Friedrich Benfer and retired from acting at the age of 46. In 1971 she received a lifetime achievement award for her outstanding contribution to German cinema.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.