A work in constant progress (and occasional regress).
Born in Da Nang, Lê Ngọc Duy is a filmmaker exploring the politics of memory, history, queer expression, and Central Vietnamese heritage. Using narrative, essay film, reenactment, and archival materials from his family and hometown, his recent works interrogate the influence of official narratives in shaping collective memory and the dominant influence of larger systems on the construction of history. Duy’s first short, "The House That Stays," has screened at Rencontres Internationales Paris/Berlin, ZINEBI, Kaohsiung, Uppsala, and Jogja-NETPAC Asian Film Festival, among others. In 2024, he received a production grant from the 5th CJ Short Filmmaking Project in Vietnam. As a member of A Sông Art Collective, Duy organizes and co-curates Cinema of the Peasants (Cinema CNN), a grassroots project promoting local independent cinema.
Director:
2024 The House That Stays
2025 Before the Sea Forgets
Editor:
2024 The House That Stays
2025 Before the Sea Forgets
???? The Rushing Waves
Sound Designer:
2024 The House That Stays
2025 Before the Sea Forgets
???? The Rushing Waves
Writer:
2024 The House That Stays
2025 Before the Sea Forgets
???? The Rushing Waves
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.