Joshua D. Maley (b. 1979)

Birthplace:
Industry, PA

Born:
January 1, 1979

Joshua D. Maley, born January 1, 1979, in Industry, PA, is a filmmaker and author known mostly for his forays into the horror genre. Raised in Southwestern Pennsylvania, Maley's early passion for storytelling led him from writing short stories and stage plays to directing his first short film, "Eros is Thanatos," in 2004. Inspired by this experience, he pursued formal education in film, attending Point Park University and Full Sail Online.  In 2015, Maley established Grimm Sleeper Productions, marking his foray into professional filmmaking. His debut short, 415 (2018), debuted at the Pittsburgh Independent Film Festival and has garnered several awards and selections at subsequent festivals. Maley's literary talents also shine, with the publication of his short fiction series, "The Unquiet," which launched in 2018 with "The Unquiet Grave" and continued in its 2021 sequel, "The Unquiet Gift."  Continuing to push creative boundaries, Maley ventured into feature filmmaking with the psychological thriller, "Waltz," which will debut late this year and has already picked up recognition and awards for its trailer and promotional art. He is currently immersed in the production of the horror short, "Dead Friends Forever." Additionally, he is developing "GEN-X: The Movie" and "Unburied," showcasing his versatility across genres. With a growing portfolio and a commitment to character-driven storytelling, Maley may yet prove to be a dynamic force in the entertainment industry.

Additional information:

The Search Form


Director:
2018  415
2024  Dead Friends Forever
????  Waltz

Editor:
2018  415
2024  Dead Friends Forever
????  Waltz

Producer:
2018  415
2024  Dead Friends Forever
????  Waltz

Screenplay:
2018  415
2024  Dead Friends Forever
????  Waltz

Writer:
2018  415
2024  Dead Friends Forever
????  Waltz

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.