A work in constant progress (and occasional regress).
Birthplace:
Morlaix, France
French cinematographer born in Morlaix in 1963. In 1998, Herry started his collaboration with Reha Erdem, one of the most prominent contemporary Turkish directors, as cinematographer on Erdem's first feature Run for Money Turkey's official submission to the 73rd Academy Award for Best Foreign Language Film. Since then, Herry kept working on all the following films directed by Erdem, providing for each of them a very refined and complex visual style which granted him many awards in the best festivals around the world such as Berlinale (Cosmos, 2009 Panorama Section, Jin 2013) and Venice Film Festival (Big Big World, 2016). Besides his successful collaboration with Reha Erdem, Herry has also worked often with documentary filmmaker Pierre Stine mainly in En Terre Inconnue documentary series. Florent Herry is a member of SBC, the Belgian society of cinematographers. IMDb mini bio by yusufpiskin
Camera Operator:
2006 Toumai - Urahn der Menschheit
Cinematography:
2006 Toumai - Urahn der Menschheit
2013 Jîn
2013 Singing Women
Co-Producer:
2006 Toumai - Urahn der Menschheit
2013 Jîn
2013 Singing Women
2022 Snow and the Bear
Director of Photography:
1999 A Run for Money
1999 Girotondo, giro intorno al mondo
2006 Times and Winds
2006 Toumai - Urahn der Menschheit
2009 Kosmos
2009 My Only Sunshine
2013 Jîn
2013 Singing Women
2016 Big Big World
2019 Pompeii: Disaster Street
2020 Invisible to the Eye
2022 Snow and the Bear
2023 A Day, 365 Hours
2023 Neandria
2024 Dormitory
Director of Photography:
2020 The Last Hours Of Pompeii
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.