A work in constant progress (and occasional regress).
Birthplace:
Belém, Pará, Brazil
Born:
October 4, 2001
Milene Rose (Brazil, Ananindeua, Pará) holds a bachelor's degree in Cinema e Audiovisual from the Federal University of Pará. She began working in film in 2019, upon entering university, through projects created by her own students. Over the years, she has worked in various departments and their assistants, including art, photography, sound, and production, until her first directorial experience with the short film "River Dreams" (2025), which was also her final project with two other friends from the course. In recent projects, she has worked in the casting and directing departments as a second assistant.
Art Department Assistant:
2019 First Day of Summer
2025 Everything that is lost in the blink of an eye
Assistant Camera:
2019 First Day of Summer
2019 The Broken Bridge of Sunset
2024 Sacrifice
2025 Everything that is lost in the blink of an eye
2025 Luiz Miguel against the Swamp Monster: In search of the bathroom at the end of the corridor
Assistant Director:
2019 First Day of Summer
2019 The Broken Bridge of Sunset
2024 Sacrifice
2024 The Key and the Mime
2025 Everything that is lost in the blink of an eye
2025 Luiz Miguel against the Swamp Monster: In search of the bathroom at the end of the corridor
Costume Designer:
2019 First Day of Summer
2019 The Broken Bridge of Sunset
2020 A Velha Maria
2024 Sacrifice
2024 The Key and the Mime
2025 Everything that is lost in the blink of an eye
2025 Luiz Miguel against the Swamp Monster: In search of the bathroom at the end of the corridor
Director:
2019 First Day of Summer
2019 The Broken Bridge of Sunset
2020 A Velha Maria
2024 Sacrifice
2024 The Key and the Mime
2025 Dreams of River
2025 Everything that is lost in the blink of an eye
2025 Luiz Miguel against the Swamp Monster: In search of the bathroom at the end of the corridor
Makeup & Hair:
2019 First Day of Summer
2019 The Broken Bridge of Sunset
2020 A Velha Maria
2024 Sacrifice
2024 The Key and the Mime
2025 Dreams of River
2025 Everything that is lost in the blink of an eye
2025 Luiz Miguel against the Swamp Monster: In search of the bathroom at the end of the corridor
Production Assistant:
2019 First Day of Summer
2019 The Broken Bridge of Sunset
2020 A Velha Maria
2024 Sacrifice
2024 The Key and the Mime
2025 Dreams of River
2025 Everything that is lost in the blink of an eye
2025 Luiz Miguel against the Swamp Monster: In search of the bathroom at the end of the corridor
Sound Assistant:
2019 First Day of Summer
2019 The Broken Bridge of Sunset
2020 A Velha Maria
2024 Sacrifice
2024 The Key and the Mime
2025 Divino Assassino
2025 Dreams of River
2025 Everything that is lost in the blink of an eye
2025 Luiz Miguel against the Swamp Monster: In search of the bathroom at the end of the corridor
Writer:
2019 First Day of Summer
2019 The Broken Bridge of Sunset
2020 A Velha Maria
2024 Sacrifice
2024 The Key and the Mime
2025 Divino Assassino
2025 Dreams of River
2025 Everything that is lost in the blink of an eye
2025 Luiz Miguel against the Swamp Monster: In search of the bathroom at the end of the corridor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.