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Sarah F. Katz

Biography from TheMovieDB

Sarah F. Katz is a screenwriter and producer with a background in cybersecurity. Her films and screenplays have placed in the BAFTA and Oscar-qualifying Rhode Island International Film Festival, Other Worlds Film Festival, International Sci-Fi & Fantasy Film Festival, L.A. Sci-Fi & Horror Film Festival, Indie Suspense Horror Sci-Fi Film Festival, First Contact Film Festival, IndieFEST Film Awards, American Screenwriters' Conference, Cedar Rapids Film Festival, Filmmatic Screenplay Awards, Inroads Screenwriting Fellowship, Near Nazareth Film Festival and Zed Fest Film Festival.  Katz is the founder of Candid Bay Productions and served as writer and executive producer for the sci-fi short films "At the End of the Canyon" and "Rational", the latter of which champions indigenous Brazilians. Additionally, she served as executive producer and writer for the drama feature "Into the Valley" and the sci-fi web series "The Solarium".  Katz's fiction writing has earned an American Fiction Award, a Cygnus Book Award for Science Fiction and a Pinnacle Book Achievement Award. Her short stories have appeared in 365 tomorrows, AHF Magazine, Aphelion Webzine, Globe Review, Scarlet Leaf Review, Thriller Magazine, and Yafeh Zine. Her nonfiction work has appeared in Cyber Defense Magazine, Dark Reading, Infosecurity Magazine, and ISACA Journal.

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Film Production

Executive Producer:
2022  At the End of the Canyon

Producer:
2022  At the End of the Canyon
2023  Into the Valley

Writer:
2022  At the End of the Canyon
2023  Into the Valley

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.