Salim Aggar (b. 1968)

Birthplace:
Algiers, Algeria

Born:
June 21, 1968

Salim Aggar was born on June 21, 1968 in Algiers. A graduate in French literature, he spent more than 22 years of his career in the Algerian press. Journalist in the country's most important newspapers such as L'Expression, Le Quotidien d'Oran and Horizons, he had in the meantime started a career as a director in 1989 by signing his first short film in super 8 at the age of 21 years old, entitled “God made the mountain and man made the city”.  He will then direct several other short films in the same format, the most prolific of which remains a documentary on children and war entitled Soldat à 13 ans. In another register, he worked as an assistant on the medium-length film “Cousines” by Lyès Salem (César for best short film in 2005) and in several documentaries and participated in the production of advertising spots.  He wrote several articles and theses on Algerian cinema, such as the review on “The 40 years of Algerian cinema” published by the Year of Algeria in France 2003, but also devoted himself to the promotion of short films with his association “To us the screens”, of which he has been president since 2002. He will be the first to launch a website dedicated to Algerian cinema. With this association he also launched the first film festival in the Algerian capital: The Algiers Cinematographic Days (JCA).  Since 2001, he has been preparing the production of a series of documentaries on Algerian cinema: The first part was completed in 2007 "It turns in Algiers", which shows the difficulties of Algerian filmmakers during the period of terrorism and which was presented in several festivals around the world: in San Francisco, Cork in Ireland, Amiens in France and the Al Jazeera Documentary Festival. In 2010, he made a second documentary entitled “Words of a French ALN Prisoner”, on the testimony of a French prisoner of the Algerian War. This documentary produced by ENTV was presented at the Paris Images Forum in 2012 and selected in several festivals: Amiens, at the Mediterranean Prize for Reporting and Documentary in Marseille in 2010, at meetings on the history and archives of Ciné- memory of Marseille and at the Henri Langlois international cinematographic meetings in Paris in 2012. A specialist in Arab and Western cinema, in 2017 he directed a documentary on one of the most important Arab directors, Youcef Chahine and on his relations with Algeria: “ Chahine, Algeria and cinema”. He concludes his filmography with an equally important documentary “The history of the film The Battle of Algiers” where he found 50 years later the main Algerian actors and technicians of Gillo Pontecorvo’s film.  Salim Aggar, who is very active in the world of cinema, has published several articles and contributions in several daily newspapers and magazines and has established himself on the media scene as an essential specialist in the field of cinema and television.  Since December 2018, he has held the position of director of the “Algerian Cinematography Center” (CAC), which notably manages the “Algerian Cinematheque”. Since his arrival in this position, he launched the site of the Algerian Cinematheque "www.cinematheque.dz", promoting the urgent management of the archives of Algerian and foreign cinema.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.