Anton Corbijn (b. 1955)

Alias:
안톤 코르빈
안톤 코빈

Birthplace:
Strijen, Zuid-Holland, Netherlands

Born:
May 20, 1955

Anton Corbijn (born 20 May 1955) is a Dutch photographer, music video and film director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both for more than a decade. Some of his works include music videos for Depeche Mode's "Enjoy the Silence" (1990) and Nirvana's "Heart-Shaped Box" (1993), as well as the Ian Curtis biopic Control.  Description above from the Wikipedia article Anton Corbijn, licensed under CC-BY-SA, full list of contributors on Wikipedia

Additional information:

The Search Form


Art Direction:
2007  Depeche Mode: 1985–86 “The Songs Aren't Good Enough, There Aren't Any Singles and It'll Never Get Played on the Radio”

Director:
1982  Joy Division: Here Are the Young Men
1988  Depeche Mode: Strange
1990  Depeche Mode: Strange Too
1993  Depeche Mode: Devotional
1994  Don Van Vliet: Some YoYo Stuff
1998  Depeche Mode: The Videos 86-98
2002  Depeche Mode: One Night in Paris
2005  The Work of Director Anton Corbijn
2006  U2: Achtung Baby: A Classic Album Under Review
2007  Control
2007  Depeche Mode: 1985–86 “The Songs Aren't Good Enough, There Aren't Any Singles and It'll Never Get Played on the Radio”
2009  Linear
2010  Kleinste Kortste Film
2010  The American
2011  Coldplay: Unstaged Live From Madrid
2014  A Most Wanted Man
2014  Depeche Mode: Live in Berlin
2015  Life
2016  Depeche Mode: Video Singles Collection
2019  LiVE SPiRiTS Depeche Mode At The Waldbühne
2019  Spirits in the Forest
2020  Depeche Mode: LiVE SPiRiTS
2023  Squaring the Circle (The Story of Hipgnosis)
????  Switzerland

Producer:
1982  Joy Division: Here Are the Young Men
1988  Depeche Mode: Strange
1990  Depeche Mode: Strange Too
1993  Depeche Mode: Devotional
1994  Don Van Vliet: Some YoYo Stuff
1998  Depeche Mode: The Videos 86-98
2002  Depeche Mode: One Night in Paris
2005  The Work of Director Anton Corbijn
2006  U2: Achtung Baby: A Classic Album Under Review
2007  Control
2007  Depeche Mode: 1985–86 “The Songs Aren't Good Enough, There Aren't Any Singles and It'll Never Get Played on the Radio”
2009  Linear
2010  Kleinste Kortste Film
2010  The American
2011  Coldplay: Unstaged Live From Madrid
2014  A Most Wanted Man
2014  Depeche Mode: Live in Berlin
2015  Life
2016  Depeche Mode: Video Singles Collection
2019  LiVE SPiRiTS Depeche Mode At The Waldbühne
2019  Spirits in the Forest
2020  Depeche Mode: LiVE SPiRiTS
2023  Squaring the Circle (The Story of Hipgnosis)
????  Switzerland

Writer:
1982  Joy Division: Here Are the Young Men
1988  Depeche Mode: Strange
1990  Depeche Mode: Strange Too
1993  Depeche Mode: Devotional
1994  Don Van Vliet: Some YoYo Stuff
1998  Depeche Mode: The Videos 86-98
2002  Depeche Mode: One Night in Paris
2005  The Work of Director Anton Corbijn
2006  U2: Achtung Baby: A Classic Album Under Review
2007  Control
2007  Depeche Mode: 1985–86 “The Songs Aren't Good Enough, There Aren't Any Singles and It'll Never Get Played on the Radio”
2009  Linear
2010  Kleinste Kortste Film
2010  The American
2011  Coldplay: Unstaged Live From Madrid
2014  A Most Wanted Man
2014  Depeche Mode: Live in Berlin
2015  Life
2016  Depeche Mode: Video Singles Collection
2019  LiVE SPiRiTS Depeche Mode At The Waldbühne
2019  Spirits in the Forest
2020  Depeche Mode: LiVE SPiRiTS
2023  Squaring the Circle (The Story of Hipgnosis)
????  Switzerland

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.