Maggie Mahrt

Maggie Mahrt is a natural born director, one with a deep passion for storytelling and world building. With her unique POV, she has had the privilege to work as a freelance filmmaker for the last nine years, creating original award-winning shorts, commercials, web series and branded content. She is slated to direct the feature film "Say it in German" in 2020.  Inspired by such luminaries as Chaplin ( for his comedic timing genius) and Felini ( for his singular POV), at a young age Maggie began to write and direct her very own theatrical works. She "cast" her siblings and neighborhood friends in these whimsical productions, which were often melodramatic musicals, her favorite childhood genre.  After studying acting in college, Maggie spend the next four years starring in a one-woman drama, performing the world over. She then turned to the study of iconography, painting and commissioning numerous original works. Her exposure to that ancient art form trained her eye to understand the power of one frame and the language of color.  These artistic experiences ultimately inspired Maggie to see her place behind the camera. So off to film school she went! And it was there that her artistic loves converged, allowing her to discover her true calling - directing.  Maggie then went to work on NBC's GRIMM as the assistant to creator David Greenwalt. Immediately falling in love with the pace and world of television, her goal to direct in that space as well as film.  Chosen as one of eight women to participate in AFI's prestigious Directing Workshop for Women in 2017, Maggie created the ambitious short film UNBOUND. It was selected for numerous Academy Award qualifying festivals, such as LA shorts and HollyShorts, where it won Best Director, Sci-Fi/Fantasy and an audience choice award. UNBOUND was also awarded the coveted Emerging Cinematographers Award from ICG and screened at the illustrious Camerimage International Film Festival in Poland.  Maggie was then selected to participate in the Fox Filmmakers Lab. There she had the opportunity to pitch a short film in the world of existing FOX franchises to head studio executives. As part of the inaugural year of the Ryan Murphy HALF TV Director program, Maggie shadowed on a LIfetime Movie of the Week.  As a recipient of a screenwriting grant from The Moving Picture Institute, Maggie wrote an award winning short set in the High School Skater culture of the 1990s. She is also writing the pilot episode of a historical original series based on an intriguing and misunderstood female American west icon.  Maggie is originally from the Peoria, IL. area. She has representation at The Gersh Agency.

Additional information:

The Search Form


Director:
2010  Chow Bella
2017  Unbound
2023  O, Brawling Love!
????  Cecilia
????  La luz

Producer:
2010  Chow Bella
2017  Unbound
2023  O, Brawling Love!
????  Cecilia
????  La luz

Writer:
2010  Chow Bella
2017  Unbound
2023  O, Brawling Love!
????  Cecilia
????  La luz

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.